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The Middle East: Crises, Conflicts, and Wars aims to evaluate the Middle East through international politics with diverse theoretical frameworks. Chapters have been written by many contributors who explore the Middle East from multiperspectives. The scope of this book is very comprehensive and many relevant issue areas are examined. In addition to focusing on the different perspectives of international relations, current problems are considered, especially in the axis of classic, modern and post-modern security studies. The main issues of Syria, Lebanon, Qatar, Saudi Arabia, Iran, Iraq, the UAE, Jordan, Palestine, Kuwait, Oman, Yemen, Bahrain, Israel and Turkey are included. Maritime disputes, the Arab Spring, energy transfer, migration, the EU, hydro-politics, Green Sukuk (green Islamic bond), youth policies and strategic investments in the Middle East, are a number of the topics examined.
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From the rise of constitutionalism during the rule of despotic Qajars, foreign invasions, the Pahlavi regimes' destructive politics, economic, cultural and social modernization efforts and the oil nationalization movement, to the Iranian Revolution, its high hopes, broken promises, repression and intolerance causing national discontent and another socio-political upheaval today, the history of modern Iran has been eventful, unstable and turbulent. In this textbook, Ali Rahnema draws on his experience teaching and researching on modern Iran to render one hundred years of modern Iranian politics and history into easy-to-follow episodic chapters. Step by step, and taking a chronological approac...
This book sheds new light on the emergence and fluctuation of Iran’s connections with non-state entities in the Middle East. Iran’s involvement with political-militant non-states has been at the heart of international and regional security policy for more than three decades. The author analyzes Iran’s non-state foreign policy by focusing on specific geopolitical and geocultural threats and opportunities that pushed Tehran to build strategic ties with the Iraqi Kurds and the Lebanese Shia. This project will appeal to multiple audiences interested in geopolitics of the Middle East, Iran's foreign policy, and international relations.
The story of Ashura, though a sad story, has always been the inspiration for the world's great freedom seekers and great thinkers throughout the history. Imam Hussein's (a.s) mission was as the Prophet (p.b.u.h) said, to be, "The light of guidance and the vessel of salvation" by accepting the of wounds by the spears, swords and sharp daggers, and the death of friends and children, orphanage of children. Thus the women in his family became captives. And it is such that Ashura is no longer a day, but a history. It is not an event but a source of inspiration for all truth-seekers and worshipers of righteousness in all times and places. The book is an illustrated narrative of the story of Karbal...
This volume explores the ways in which the young, both in Muslim majority societies and Muslim communities in the West, negotiate their Muslim identity in relation to their youthful desires - their individuality, the search for autonomy and security for the future. The cultural behavior of Muslim youths, the authors argue, must be understood as located in the political realm and representing a new arena of contestation for power. The essays in this volume look at the strategies Muslim youths deploy to realize their interests and aspirations, including music and fashion, party politics, collective violence, gang activities, religious radicalism and other forms of expression.
Using a semiotic model of poetic change, Recasting Persian Poetry presents a critical history of the evolution of Persian poetry in modern Iran. Iran's contact with Europe in the nineteenth century produced largely imaginary ideas about European culture and literature. In a series of textual manoeuvres and cultural contestations, successive generations of Iranian intellectuals sought to recast the classical tradition in a mold at once modern and relevant to their concerns. In particular, Karimi proposes a revision of the view that sets the Modernist poet Nima Yushij as the single-handed inventor of 'New Poetry'. This view, he argues, has resulted in an exaggerated sense of the aesthetic gulf between the modernist poetry of Iran and classical Persian poetry. Through a number of close readings of works by Nima's predecessors, Karimi makes visible a century-old Persian poetic tradition with Nima as its culmination.
This book discusses what it means to “perform the State,” what this action means in relation to the country of Iran and how these various performances are represented. The concept of the “State” as a modern phenomenon has had a powerful impact on the formation of the individual and collective, as well as on determining how political entities are perceived in their interactions with one another in the current global arena.