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Ashby is located in the hills of central Massachusetts, along the New Hampshire border. The town was incorporated in 1767, initially growing as an agricultural community before water-powered mills emerged along its streams. In 1840, the population began 50 years of decline as people sought more profitable work in larger cities and free land in the western United States. Perhaps due to this decline, the center of town is preserved much as it was in 1840, boasting all its original buildings still in place. Ashby saw a century of renewed growth starting in 1880, when Bostonians arrived during the summer to escape the heat and unhealthy city air. A number of businesses, including inns and tearooms, catered to these wealthy visitors. With the arrival of the automobile, residents gained access to jobs in the surrounding mill towns. It was during this time that the last of Ashby's many mills closed, the first public library was built, and one-room classrooms were combined to become a central town school. Today, one can still stand on the town common in front of the 1809 meetinghouse and look over an area that has undergone little change in the past 170 years. --Page 4 of cover.
Pocket Museum: Vikings brings together nearly 200 of the most remarkable artefacts that are held in museum collections around the world. Although the popular image of the Vikings is one of wild, violent raiders, the objects in this book reveal a more complex society comprised of pioneering explorers and master metalworkers who established a far-reaching trade network. From the vast Oseberg ship to a tiny valkyrie pendant, and from simple wooden panpipes to the unparalleled collection of silver items in the Spillings Hoard, each object provides an important insight into this most fascinating of cultures. This juxtaposition of the elite and the everyday makes this volume unique in its field.
With Amusement for All contextualizes what Americans have done for fun since 1830, showing the reciprocal nature of the relationships among social, political, economic, and cultural forces and the ways in which the entertainment world has reflected, changed, or reinforced the values of American society.
Why do international criminal tribunals write histories of the origins and causes of armed conflicts? Richard Ashby Wilson conducted research with judges, prosecutors, defense attorneys and expert witnesses in three international criminal tribunals to understand how law and history are combined in the courtroom. Historical testimony is now an integral part of international trials, with prosecutors and defense teams using background testimony to pursue decidedly legal objectives. In the Slobodan Milošević trial, the prosecution sought to demonstrate special intent to commit genocide by reference to a long-standing animus, nurtured within a nationalist mindset. For their part, the defense called historical witnesses to undermine charges of superior responsibility, and to mitigate the sentence by representing crimes as reprisals. Although legal ways of knowing are distinct from those of history, the two are effectively combined in international trials in a way that challenges us to rethink the relationship between law and history.
This beautifully illustrated book takes the reader on a journey through natural history and shows the richness of animal life on our planet like you've never seen it before.
Copyright date 1996; previously published: Doubleday & Co., 1976.
Hal Ashby (1929–1988) was always an outsider, and as a director he brought an outsider's perspective to Hollywood cinema. After moving to California from a Mormon household in Utah, he created eccentric films that reflected the uncertain social climate of the 1970s. Whether it is his enduring cult classic Harold and Maude (1971) or the iconic Being There (1979), Ashby's artistry is unmistakable. His skill for blending intense drama with off-kilter comedy attracted A-list actors and elicited powerful performances from Jack Nicholson in The Last Detail (1973), Warren Beatty and Julie Christie in Shampoo (1975), and Jon Voight and Jane Fonda in Coming Home (1979). Yet the man behind these fil...
The transcript of a wartime School Harvest Logbook from Ashby Girls' Grammar School, written in 1942, 1943 and 1944. Also contains background information on children's harvest camps during the Second World War nationally. Illustrated with original pencil drawings from the log book.
In this volume of biographical essays, all vividly written, extensively researched, Charles L. Dufour recounts the lives of nine Confederate officers, who served their cause with dedication, skill and bravery. “Porter Alexander is not a household name today, but he should be remembered as one of Robert E. Lee’s most valuable officers. Bold and imaginative, Alexander was an artillerist whose service was requested by every Confederate army commander. He and eight other “men in gray” come to life in vivid sketches by Charles L. Dufour. Singled out are Dick Taylor, the handsome son of former president Zachary Taylor who led the Louisiana Brigade; Turner Ashby, an expert horseman whose de...