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The Single Woman, Modernity, and Literary Culture
This book situates the single woman within the evolving landscape of modernity, examining how she negotiated rural and urban worlds, explored domestic and bohemian roles, and traversed public and private spheres. In the modern era, the single woman was both celebrated and derided for refusing to conform to societal expectations regarding femininity and sexuality. The different versions of single women presented in cultural narratives of this period—including the old maid, odd woman, New Woman, spinster, and flapper—were all sexually suspicious. The single woman, however, was really an amorphous figure who defied straightforward categorization. Emma Sterry explores depictions of such single women in transatlantic women’s fiction of the 1920s to 1940s. Including a diverse selection of renowned and forgotten writers, such as Djuna Barnes, Rosamond Lehmann, Ngaio Marsh, and Eliot Bliss, this book argues that the single woman embodies the tensions between tradition and progress in both middlebrow and modernist literary culture.
The Lost Girls
The Lost Girls analyses a number of British writers between 1850 and 1930 for whom the myth of Demeter's loss and eventual recovery of her cherished daughter Kore-Persephone, swept off in violent and catastrophic captivity by Dis, God of the Dead, had both huge personal and aesthetic significance. This book, in addition to scrutinising canonical and less well-known texts by male authors such as Thomas Hardy, E. M. Forster, and D. H. Lawrence, also focuses on unjustly neglected women writers - Mary Webb and Mary Butts - who utilised occult tropes to relocate themselves culturally, and especially in Butts's case to recover and restore a forgotten legacy, the myth of matriarchal origins. These ...
The Other Side of Pedagogy
University classrooms are increasingly in crisis—though popular demands for accountability grow more insistent, no one seems to know what our teaching should seek to achieve. This book traces how we arrived at our current impasse, and it uses Lacan's theory of the four discourses to chart a path forward via an analysis of the freshman writing class. How did we forfeit a meaningful set of goals for our teaching? T. R. Johnson suggests that, by the 1960s, the work of Bergson and Piaget had led us to see student growth as a journey into more and more abstract thought, a journey that will happen naturally if the teacher knows how to stay out of the way. Since the 1960s, we've come to see devel...
English Literature in Context
From Anglo-Saxon runes to postcolonial rap, this undergraduate textbook covers the social and historical contexts of the whole of the English literature.
The Female Gaze in Documentary Film
The Female Gaze in Documentary Film – an International Perspective makes a timely contribution to the recent rise in interest in the status, presence, achievements and issues for women in contemporary screen industries. It examines the works, contributions and participation of female documentary directors globally. The central preoccupation of the book is to consider what might constitute a ‘female gaze’, an inquiry that has had a long history in filmmaking, film theory and women’s art. It fills a gap in the literature which to date has not substantially examined the work of female documentary directors. Moreover, research on sex, gender and the gaze has infrequently been the subject of scholarship on documentary film, particularly in comparison to narrative film or television drama. A distinctive feature of the book is that it is based on interviews with significant female documentarians from Europe, Asia and North America.
Mapping the Wessex Novel
Considers four regional writers and their complex relationship with concepts of space and place at a time of seismic social change. >
Islam in the Eastern African Novel
This study of the sub-Saharan African novel interprets representations of Islam as a central organising presence that generates new conceptual questions and demands new critical frameworks with which to approach categories like nationhood, race, diaspora, immigration, and Africa's multiple colonial pasts.
Rediscovering Women Writers of Wartime London
This book shows the war-stricken city through the eyes of five women writers, whose novels vividly portray life in the Blitz. This new appraisal of their work brings to light the way in which they documented the Blitz in their fiction, highlighting the social changes which were taking place, especially in the lives of women, and leading to a fuller understanding of those turbulent times. The book re-evaluates the contribution of these writers to wartime literature, showing how their long-neglected novels focus on the experiences of individual women protagonists perceived in close relation to the menacing forces of war. This title will interest all those seeking to gain further knowledge of 20th-century women's writing, wartime literature, and social history as recorded in fiction.
Life in the Writings of Storm Jameson
Elizabeth Maslen's excellent biography offers a fresh look at the intersection of Jameson's life and work and the way these intersected with figures from Rebecca West to Arthur Koeslter to Czeslaw Milosz.
Winifred Holtby, “A Woman In Her Time”
Winifred Holtby, “A Woman In Her Time”: Critical Essays brings together for the first time a range of scholarly perspectives on one of Britain’s best-loved regional authors. Remembered for her vivid portrayal of 1930s rural Yorkshire in her final novel, South Riding (1936) and for her friendship with Vera Brittain, Winifred Holtby (1898-1935) has become a key figure for those interested in British literature, politics, and culture between the wars. Epitomising the professional independence and political passion which we have come to associate with the newly emancipated women of her era, Holtby’s was a life devoted to myriad causes and directed to the pressing issues of her day. With ...
