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The Present Volume Of The Annual Series Of Art And Culture Carrying The Sub-Title 'Painting And Perspective' Relates To The Following Themes: (A) Cultural Set-Up And Values; (B) Sculpture And Painting And (C) Science And Technology. The Articles Of The Volume Are Not Restricted To Any Particular Period Or Geographical Area. Moreover, The Purpose Is To Encourage Scholars To Think And Write In Terms Of Social Mores And Values As Far As Possible.
Prof. Mirza Saeed-Uz Zafar Chaghtai is a renowned scholar, scientist and author of many books in various languages. He looks back at adventures that have spanned thousands of miles and included some of the worlds most remarkable people. With candor and humor, he outlines his social, political, and religious beliefs and shares insights on scientific and literary life in India, Europe, the United States of America, and elsewhere. His rise to the top of the scholarly community began in a small town in British India and brought him to Paris, London, Sweden and various places throughout the world, where he shared ideas with distinguished scientists, Nobel laureates, men of letters and many exempl...
There is perhaps no greater constant in religious intuition and experience than the presence of light. In spiritual traditions East and West, light is not only ubiquitous but something that assumes strikingly similar forms in altogether different historical and cultural settings. This study examines light as an aspect of religiously valued experiences and its entailments for mystical theology, philosophy, politics, and religious art. The essays in this volume make an important contribution to religious studies by proposing that it is misleading to conceive of religious experience in terms of an irreconcilable dichotomy between universality and cultural construction. An esteemed group of cont...
This volume of ten collected articles stands out, at one level, as a contribution to Marginality studies. Its overarching concern is to identity the main contours of the representation of Muslim woman in post-Independence Indian Writings in English (1950-2000). So doing, it examines also whether this representation replicates or modifies the image of Muslim woman as ingrained in Western literary tradition. Among the writers discussed are Anita Desai, Shashi Deshpande, Shashi Tharoor, Manohar Malgonakr, Attia Hossain, Balwant Gargi, Rokeya Sakhawat Hossain, Amitav Kumar, Ruskin Bond, Qurratulain Hyder and a host of story writers of Indian regional languages. Besides, the Volume is an extensive Bibliography covering the discourse on Representation and Gender issues, with pointed reference to Muslim woman. New Book
Praise for previous volumes: "This variorum edition will be the basis of all future Donne scholarship." -- Chronique This is the 4th volume of The Variorum Edition of the Poetry of John Donne to appear. This volume presents a newly edited critical text of the Holy Sonnets and a comprehensive digest of the critical-scholarly commentary on them from Donne's time through 1995. The editors identify and print both an earlier and a revised authorial sequence of sonnets, as well as presenting the scribal collection -- which contains unique authorial versions of several of the sonnets -- inscribed by Donne's friend Rowland Woodward in the Westmoreland manuscript.
Islam in India: History, Politics and Society is based on the historical and contemporary relevance of the religion and its related culture(s) in India. Besides being a major religious doctrine, Islam has been the main political ideology for many dynasties in India such as Delhi Sultanate (1206-1451); the Illbaris Turks (also known as Mamluk 1206–90); Khiljis (1290–1320); Tughlaqs (1320–1414); Sayyids (1414–51), Afghans and the Mughal Empire. Islam played a pivotal role in shaping the polity and society during the period of each dynasty. This book argues that Islam in India ought to be seen not only as a political and religious ideology of the dynasties, but also as a significant force that shaped the cultural fabric of the country. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)
In a consideration of a vast scope of themes such as ghazal as a form of non-conformist poetry, Hispano-Arabic connections with English poetry, Syed Ahmad Khan's role in the Urdu-Hindi controversy, and madrasa education and its contemporary criticism, the volume forms an important compliment (and corrective) to much of the current writings on the various issues.
Proceedings of the Joint Discussion-17 at the 23rd IAU General Assembly, organised by the Commission 41, held in Kyoto, Japan, August 25-26, 1997
This Volume Explores How The ýWestý Has Been Written Into Indian Literary Texts And Other Cultural Productions. The Twelve Essays Included Here, Written By Literary Critics, Cultural Historians And Film Theorists, Examine Patterns In IndiaýS Perception And Creative Representation Of The West, Each Focusing On A Specific Linguistic Context: Asamiya, Bangla, Hindi, Oriya, Telugu And Urdu Besides Indian Writing In English. Though Dealing With Different Regions And Languages, Most Of These Papers Demonstrate The Limits Contemporary Postcolonial Theorizations And Urge The Need For A Reconceptualization Of The Theories Of Colonial Encounter In Order To Account For The Ways In Which India Imagined And Imaged The West And Its Civilization.