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In this updated paperback edition of his best selling autobiography Portsmouth footballer Linvoy Primus tells the story of his life in football and of how, through his conversion to Christianity, he overcame disillusionment, lack of self belief, rejection and serious injuries so that his life and performances were totally transformed.
Primus in armis, 'first in arms', is the motto of the Royal Wiltshire Yeomanry, Britain's senior Regiment of volunteer cavalry raised in 1794 against the threat of French invasion. The Wiltshire Yeomanry has served for over 200 years and fought in South Africa, the First and Second World Wars and more recently as individuals in the Balkans, Iraq and Afghanistan. Many of the places where the Regiment fought in the Second War will be familiar to modern readers including Aleppo, Palmyra, Baghdad, and more bizarrely, meeting the Russian army on friendly terms in Tehran. The battle of El Alamein in the western desert was possibly their finest hour. The author has accessed the extensive Regimental archives and interviewed many families of veterans to obtain a glimpse into the personalities of these soldiers. A wealth of unseen material from around the world has surfaced including stories concerning the aristocracy of the inter-war years and the previously forgotten service of the Regiment's most famous officer. This first, illustrated history of 'The Royal Wilts' will appeal to anyone with an interest in the British Army. **Includes 368 black-and white and 70 colour photographs.**
This is the complete Liber Primus from the Cicada 3301 crypto puzzle. The additional pages from later stages are also included in chronological order. This book is primarily meant for decorative purposes due to the lack of embedded metadata.
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Writing Self, Writing Empire examines the life, career, and writings of the Mughal state secretary, or munshi, Chandar Bhan “Brahman” (d. c.1670), one of the great Indo-Persian poets and prose stylists of early modern South Asia. Chandar Bhan’s life spanned the reigns of four different emperors, Akbar (1556-1605), Jahangir (1605-1627), Shah Jahan (1628-1658), and Aurangzeb ‘Alamgir (1658-1707), the last of the “Great Mughals” whose courts dominated the culture and politics of the subcontinent ...
A brothers’ fishing trip goes disturbingly off course in this drug-fueled backwater noir—the debut novel by the art-rock pioneer and frontman for Primus. In the rural town of El Sobrante, California, two estranged brothers are reunited. While Earl Paxton never left, Ed moved on to a new life in Berkley. When the death of their father brings Ed back home, a fishing trip seems like the perfect way to reconnect. But Ed didn’t count on Donny Vowdy joining the party. As frustrations, alcohol, and hallucinogens start dredging up old grudges and long-held rivalries, the trip soon takes an unsettling turn. A dark, clever tale of brotherhood, misconceptions, drugs and murder, South of the Pumphouse combines classic motifs of epic struggle, evocative imagery, and the raw, tweaked perspective of a Hunter S. Thompson novel.
An oral history of the legendary band Primus, with a star-studded cast of interviewees (Tom Waits, Phish front man Trey Anastasio, etc.) "It's a wild ride that's vividly captured in Greg Prato's excellent oral history . . ." —Bass Player Magazine Usually when the "alternative rock revolution" of the early 1990s is discussed, Nirvana's Nevermind is credited as the recording that led the charge. Yet there were several earlier albums that helped pave the way, including the Pixies's Doolittle, the Red Hot Chili Peppers's Mother's Milk, Jane's Addiction's Nothing's Shocking, and especially Primus's 1991 album Sailing the Seas of Cheese. This fascinating and beautifully curated oral history tell...
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Pratyaha is the Sanskritized Bengali word for 'everyday' for everybody. The neglect of everyday lifeworlds is due to a taken-for-granted belief that the realm of everyday is the site for common sense and the common place, the very well known, perhaps even the trivial. It is our sense of familiarity with routine relations and their sheer temporariness which casualizes our attitude towards our daily lived existence. True to the specific genre of critical everyday studies, the focus is on the dilemmas, contestations and negotiations between the self and the other, the 'normal' and the 'unusual', the sacral and the secular, and the explicit and the enigmatic. As usual, numerous actants play crit...
Plunging the Ocean engages with the voluminous content of the Kathāsaritsāgara, a text meant for courtly entertainment, locating the various points of its retelling. The volume weaves gender as the discursive mesh with various themes such as caste, class, occupations, control and flow of resources or wealth, religious practices, sexuality and power structures to highlight the discourse of the text itself. In their creation and negotiation with the past, the narratives are seen as crucially demonstrating the importance of 'social space'; in the organization of space itself and in the reflection of social relations of production and reproduction. The conclusion highlights the contradictions inherent in the characters and plots, in the folk antecedents and monarchical elite appropriation of the kathās, in conformity and subversion. The structures of power that create systems of knowledge are essentially projected as ominously omnipresent in the 'Ocean of Stories'.