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The appeal of the banjo has been shown to be timeless and universal---adaptable to almost any form of popular music. It was one of just a few instruments that could be faithfully reproduced in the early days of sound recording, and its recording history dates back to 1889. Heier documents that history on cylinders and 78-rpm disks in the pre-LP era ending in the mid-1950s. The book offers a comprehensive compilation of all such recordings on which the banjo plays a solo role or dominant part. Organized by performer or performing group, the recordings are listed chronologically with location, date, matrix number, and take-digit as available, as well as manufacturer and catalog number. Biograp...
This exhaustive and complete discography of Indian music issued on microgroove discs and cassettes provides information on over 2,700 recordings of classical and semiclassical music of the Indian subcontinent. It covers the period from the early 1950s to the end of 1983 and also contains information on recordings from the early 1930s onward that were originally issued at 78 RPM and have been reissued on microgroove discs. The main text of the discography is divided into five sections: Hindustani Instrumental, Hindustani Vocal, Karnatic Instrumental, Karnatic Vocal, and Anthologies. Artists are listed alphabetically and brief biographical information is provided when possible. The recordings are indexed by Raga and Tala (the melody and the rhythm), thus allowing comparison between different recordings of the same piece. An instrumental index is included as are indexes to several styles of vocal performance.
Over seventy-five million Americans listen to podcasts every month, and the average weekly listener spends over six hours tuning into podcasts from the more than thirty million podcast episodes currently available. Yet despite the excitement over podcasting, the sounds of podcasting’s nascent history are vulnerable and they remain mystifyingly difficult to research and preserve. Podcast feeds end abruptly, cease to be maintained, or become housed in proprietary databases, which are difficult to search with any rigor. Podcasts might seem to be highly available everywhere, but it’s necessary to preserve and analyze these resources now, or scholars will find themselves writing, researching,...
Everything you could ever want to know seems to be here including some fascinating illustrations such as letters, recording sheets, labels, and the like. . . . The amount of detail packed into this large but easy-to-handle volume is positively staggering . . . cannot be praised highly enough. Int. Assoc. of Jazz Record Collectors Journal
A prime source of one of country music's greatest, this closely-documented history follows the musical career of Waylon Jennings—from his early days as a member of Buddy Holly's group, The Crickets, through his sometimes combative relationship with the Nashville musical establishment and his emergence as a viable force in the country music scene, to his current status as a superstar. Popular music scholars and students as well as country music fans will find this a valuable source of information, not only on Jennings, but on the country music industry. In his foreword to this volume, Johnny Cash describes his friend as an American original. A prime source for one of country music's greates...
This discography is successful in its attempt to `present a complete picture of women instrumentalists' recording activity from 1913 to 1968.' Jan Leder also shows the significant contributions made by women in jazz and their involvement playing jazz since its beginnings. The book contains two parts: Discography of Women in Jazz and Collective Section. The first section arranges names alphabetically by name of player with works arranged chronologically for each player. The second section is a chronological listing of recordings with two or more players. It gives date, place, name of orchestra, director, performers, recording titles, and company. Index of performers. An excellent resource on ...
Knowledge of just what recordings of classical music have been issued in the Soviet Union has been very limited to date, since only a small number of such recordings have been licensed for production and sale by West European and American companies. . . . Bennett's discography of all LP recordings issued in Russia since 1951 is thus a valuable research tool for the serious record collector and music library. Choice
This easy-to-use dating guide for 93,000 individual 45 and 78 rpm records released by almost 2,500 United States record companies enables the reader to date the specific month a record was released. Record companies are listed in alphabetical order; subsidiary and related companies are also arranged alphabetically following the parent company with cross-references from the name of the subsidiary. Under headings for each label, columns of record release numbers and release dates indicate the month and year a record was formally available to the public, based upon when notification was published in the trade journals, periodicals, and related sources. This book presents information for numerous companies for which no comparable listings previously existed. In addition to aiding record dating, the guide sheds new light on the history of specific recording companies and provides additional information for the history of the recording industry as a whole.