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The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries...
Of the three major branches of Christianity, Orthodoxy is the least known and most misunderstood. The A to Z of the Orthodox Church provides students, researchers, and specialists with a desk encyclopedia of the theology and theologians, saints, sinners, places and events of the Eastern Church. Two millennia of the religion are surveyed in over five hundred concise entries, concentrating primarily on the last 150 years. Includes an overview of the early Church through the Byzantine and Russian Empires, into the present multinational Orthodox presence in the ecumenical movement. Many of the general entries cannot be found elsewhere in English, and the comprehensive compilation of biographies of 19th- and 20th-century Orthodox theologians (American, Russian, Greek, and many other nationalities) is published here for the first time. This book includes a detailed 4,000-year chronology, illustrations, extensive bibliography, and an appendix listing the current canonical patriarchs and autocephalous churches.
Is Byzantine Studies a colonialist discipline? Rather than provide a definitive answer to this question, this book defines the parameters of the debate and proposes ways of thinking about what it would mean to engage seriously with the field’s political and intellectual genealogies, hierarchies, and forms of exclusion. In this volume, scholars of art, history, and literature address the entanglements, past and present, among the academic discipline of Byzantine Studies and the practice and legacies of European colonialism. Starting with the premise that Byzantium and the field of Byzantine studies are simultaneously colonial and colonized, the chapters address topics ranging from the mater...