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Race and the Atlanta Cotton States Exposition of 1895
The Cotton States Exposition of 1895 was a world's fair in Atlanta held to stimulate foreign and domestic trade for a region in an economic depression. Theda Perdue uses the exposition to examine the competing agendas of white supremacist organizers and the peoples of color who participated. Close examination reveals that the Cotton States Exposition was as much about challenges to white supremacy as about its triumph.
Race and the Atlanta Cotton States Exposition of 1895
The Cotton States Exposition of 1895 was a world's fair in Atlanta held to stimulate foreign and domestic trade for a region in an economic depression. Theda Perdue uses the exposition to examine the competing agendas of white supremacist organizers and the peoples of color who participated. White organizers had to demonstrate that the South had solved its race problem in order to attract business and capital. As a result, the exposition became a venue for a performance of race that formalized the segregation of African Americans, the banishment of Native Americans, and the incorporation of other people of color into the region's racial hierarchy. White supremacy may have been the organizing...
Official Guide To Atlanta
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Atlanta Exposition
In 1895, the Atlanta Exposition thrust the city and the South into the forefront of international news. Atlantans, legendary for their pluck, resolved to host an exhibition of the world's cultural, agricultural, and manufacturing products while promoting civil liberties for women and African Americans. Patriotism and industrialism fueled the show. Thirty years before, the Civil War had destroyed the cotton-producing states of America, and this exhibition illustrated those states' progress in the years following the war. In one day, attendees such as U.S. president Grover Cleveland could view Italian art, a live school for the deaf, the Liberty Bell, trained elephants, a Mexican village, and, of course, cotton manufacturing. There were other, smaller fairs in Atlanta, but the Cotton States and International Exposition will be known forever as "the Atlanta Exposition" because of its magnitude--both physically and intellectually. Today the remnants of the fairgrounds comprise Atlanta's beloved green spot: Piedmont Park.
Atlanta Compromise
The Atlanta Compromise was an address by African-American leader Booker T. Washington on September 18, 1895. Given to a predominantly White audience at the Cotton States and International Exposition in Atlanta, Georgia, the speech has been recognized as one of the most important and influential speeches in American history. The compromise was announced at the Atlanta Exposition Speech. The primary architect of the compromise, on behalf of the African-Americans, was Booker T. Washington, president of the Tuskegee Institute. Supporters of Washington and the Atlanta compromise were termed the "Tuskegee Machine." The agreement was never written down. Essential elements of the agreement were that...
The Official Catalogue Of The Cotton States And International Exposition
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Negro Building
Focusing on Black Americans' participation in world’s fairs, Emancipation expositions, and early Black grassroots museums, Negro Building traces the evolution of Black public history from the Civil War through the civil rights movement of the 1960s. Mabel O. Wilson gives voice to the figures who conceived the curatorial content: Booker T. Washington, W. E. B. Du Bois, Ida B. Wells, A. Philip Randolph, Horace Cayton, and Margaret Burroughs. Originally published in 2012, the book reveals why the Black cities of Chicago and Detroit became the sites of major Black historical museums rather than the nation's capital, which would eventually become home for the Smithsonian's National Museum of African American History and Culture, which opened in 2016.
