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The Age of Atrocity
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The Holocaust and the Literary Imagination
"The immense service that Langer's careful, thoughtful, immensely intelligent and restrained study renders is that the esthetics of atrocity cease to be an exclusive domain of the victims. Many of his writers are not Jewish and several were not imprisoned or interned, and yet all of them have been riven by the death-camp universe. The atrocity of that time and the atrocities that have succeeded Auschwitz represent a continuity that may almost be called a new tradition, one in which the phantasmagoric and horrific is real and the gentle and generous a prodigy to be remarked with amazement. "The Holocaust and the literary Imagination is a pioneering work of criticism for it impels us, readers and writers alike, to inquire after the basic paradox: how can literature delight and transfix or warn and modify a humanity from whom nothing is hidden, nothing prohibited, for whom nothing is shocking or unreal." --Arthur A. Cohen, New York Times Book Review.
Cultural Archives of Atrocity
Studies on the aesthetic representations of atrocity the world over have taken different discursive dimensions from history, sociology, political to human rights. These perspectives are usually geared towards understanding the manifestations, extent, political and economic implications of atrocities. In all these cases, representation has been the singular concern. Cultural Archives of Atrocity: Essays on the Protest Tradition in Kenyan Literature, Culture and Society brings together generic ways of interrogating artistic representations of atrocity in Kenya. Couched on interdisciplinary, multidisciplinary and cross-disciplinary approaches, essays in this volume investigate representations o...
Atrocity
Exploring literary representations of mass violence, Robbins traces the emergence of a cosmopolitan recognition of atrocity. Mass violence did not always have a name. Like conquest, atrocity was not always seen as violating a moral norm or inviting indignation. Could the concept of atrocity even exist before people could accuse their own country of mass violence committed against the inhabitants of another country? Drawing on a vast archive, Bruce Robbins seeks to give atrocity a literary history. With penetrating insight, Robbins takes up such literary representations of atrocity as Bartolomé de las Casas's account of his fellow Spaniards' atrocities, Kurt Vonnegut's Slaughterhouse-Five, G...
War Crimes, Atrocity and Justice
What do we know about war crimes and justice? What are thediscursive practices through which the dominant images of warcrimes, atrocity and justice are understood? In this wide ranging text, Michael J. Shapiro contrasts thejustice-related imagery of the war crimes trial (for example thesolitary, headphone-wearing defendant at the Hague listening withintent to a catalogue of charges) with ?literary justice?:representations in literature, film, and biographical testimony,raising questions about atrocities and justice that juridicalproceedings exclude. By engaging with the ambiguities exposed by the artistic andexperiential genres, reading them alongside policy and archivaldocumentation and cri...
German Atrocities: A Record of Shameless Deeds
DigiCat Publishing presents to you this special edition of "German Atrocities: A Record of Shameless Deeds" by William Le Queux. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Novel of Human Rights
James Dawes defines a new, dynamic American literary genre, which takes as its theme a range of atrocities at home and abroad. This vibrant and modern genre incorporates key debates within the human rights movement in the U.S. and in turn influences the ideas and rhetoric of that discourse.
The Broken Voice
'Which writer today is not a writer of the Holocaust?' asked the late Imre Kertesz, Hungarian survivor and novelist, in his Nobel acceptance speech: 'one does not have to choose the Holocaust as one's subject to detect the broken voice that has dominated modern European art for decades'. Robert Eaglestone attends to this broken voice in literature in order to explore the meaning of the Holocaust in the contemporary world, arguing, again following Kertesz, that the Holocaust will 'remain through culture, which is really the vessel of memory'. Drawing on the thought of Hannah Arendt, Eaglestone identifies and develops five concepts--the public secret, evil, stasis, disorientalism, and kitsch--in a range of texts by significant writers (including Kazuo Ishiguro, Jonathan Littell, Imre Kertesz, W. G. Sebald, and Joseph Conrad) as well as in work by victims and perpetrators of the Holocaust and of atrocities in Africa. He explores the interweaving of complicity, responsibility, temporality, and the often problematic powers of narrative which make up some part of the legacy of the Holocaust.
Reconstructing Atrocity Prevention
This proposes a new framework for atrocity prevention, featuring scholars from around the globe including three former UN special advisers.
