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Betwixt and Between offers new insights into the basic elements of initiations and rites of passage. The absence of these traditional supports creates problems in the lives of those who are caught in the void and lack definite expectations at various times of their lives. The chapters on masculine and feminine initiation provide new and creative concepts and practical possibilities for each of us. Initiation has been a missing component in the modern world and needs to be re-introduced with new understanding and consciousness.
"Substantially the book that devotees of the director have been waiting for: a full-length critical work about Ozu's life, career and working methods, buttressed with reproductions of pages from his notebooks and shooting scripts, numerous quotes from co-workers and Japanese critics, a great many stills and an unusually detailed filmography."—Sight and Sound Yasujiro Ozu, the man whom his kinsmen consider the most Japanese for all film directors, had but one major subject, the Japanese family, and but one major theme, its dissolution. The Japanese family in dissolution figures in every one of his fifty-three films. In his later pictures, the whole world exists in one family, the characters are family members rather than members of a society, and the ends of the earth seem no more distant than the outside of the house.
First published in 1974, this book collects interviews with leading Czechslovak filmmakers conducted mostly between 1967 and 1969. This was a period of immense upheaval beginning with the attack of the Czechoslovak establishment on the Union of Writers in 1967, continuing through the liberalisation of the Prague Spring in January 1968 and ended with the Soviet invasion in August and subsequent ‘Normalization’ process in April 1969. It records the testimony of several generations of filmmakers and their attempts to answer the questions about the purpose and meaning of film before and during this period. This book will be of interest to students of film and cultural history.
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Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists.
A filmography of Blacks in the film industry
A History of Italian Cinema is the only comprehensive and up-to-date book on the subject available anywhere, in any language >
In this study, David Bordwell offers a comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse story-telling patterns to construct their fictional narratives.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Maverick Movies tells the improbable story of New Line Cinema, a company that cut a remarkable path through the American film industry and movie culture. Founded in 1967 as an art film distributor, New Line made a small fortune running John Waters's Pink Flamingos at midnight screenings in the 1970s and found reliable returns with the Nightmare on Elm Street franchise in the 1980s. By 2001, the company competed with the major Hollywood studios and reached global box office success with the Lord of the Rings franchise. Blurring boundaries between high and low culture, between independent film and Hollywood, and between the margins and the mainstream, New Line Cinema epitomizes Hollywood's shift in focus from the mass audience fostered by the classic studios to the multitude of niche audiences sought today.
Studies the remarkable work of Resnais, whose films include La Guerre est Fini, Stavisky, and Last Year at Marienban.