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The Films of Jean-Luc Godard
In this book, Wheeler Winston Dixon offers an overview of all of Godard's work as a filmmaker, including his work for television and his ethnographic work in Africa. Free from the jargon and value judgments that have marred much of what has been written about Godard, this is the only book that covers the entirety of Godard's career.
A Short History of Film
'A Short History of Film' is the story of the major movements, events, directors, stars and studios which have illuminated the world of international cinema.
A Short History of Film, Third Edition
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
A History of Horror
Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels. A History of Horror explores how the horror film fits into the Hollywood studio system and how its enormous success in American and European cul...
Film and Television After 9/11
Twelve distinguished scholars and critics discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how movies have changed to reflect the new world climate.
The Transparency of Spectacle
Considers the ephemeral nature of the cinematic experience as we now apprehend it, and examines the ways in which technological advances in film and moving image production have changed this experience over the course of the last thirty-odd years.
Streaming
Analyzes the culural and social effects of the increasing digital distribution of movies, discussing the ways in which it has impacted the making of motion pictures and altered the behavior and habits of the film audience.
Film Talk
What 1970s Hollywood filmmaker influenced Quentin Tarantino? How have contemporary Japanese horror films inspired Takashi Shimizu, director of the huge box office hit The Grudge? What is it like to be an African American director in the twenty-first century? The answers to these questions, along with many more little-known facts and insights, can be found in Film Talk, an in-depth, behind-the-scenes look at filmmaking from the 1940s to the present. In eleven intimate and revealing interviews, contemporary film directors speak frankly about their work-their successes and their disappointments, their personal aspirations, struggles, relationships, and the politics that affect the industry. A m...
Collected Interviews
Noted film scholar Wheeler Winston Dixon offers a behind-the-scenes look into the lives of both major and marginalized figures who have dynamically transformed the landscape of international cinema in the twentieth century. Fifteen interviews spanning two decades of research are collected here, with many appearing in uncut form for the first time. Dixon's interviewees represent a wide range of cinematic professions (directors, animators, actors, writers, and producers) from several branches of cinema (artistic, avant-garde, and commercial) with Dixon providing an introduction prior to each interview. Purposeful in his selections, Dixon offers up voices from twentieth-century cinema that have never before had the chance to speak at such length and detail, as well as much more well-known figures addressing unique and obscure aspects of their respective careers. Collectively, this volume presents a treasure trove of firsthand information of keen interest to film scholars and movie buffs alike, while providing a glimpse into the future of cinema in the twenty-first century.
Death of the Moguls
Death of the Moguls is a detailed assessment of the last days of the “rulers of film.” Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios’ collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn’t reign supreme. Covering 20th Century-Fox, Selznick International ...
