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Augusta Webster: Portraits and Other Poems
Augusta Webster was very widely praised in her own time—Christina Rossetti thought her “by far the most formidable” woman poet. Her work has again come into favour, so much so that Isobel Armstrong and her co-editors of the influential anthology, Nineteenth-Century Women Poets, declare that “there can be no doubt that Augusta Webster ranks as one of the great Victorian poets.” This collection is the first edition of Webster’s poems since 1895. It is a selection of her best work, emphasizing her powerful dramatic monologues and including a substantial number of her lyrics. With an introduction and background documents that highlight the distinctiveness of her work, this edition will help to re-establish Augusta Webster as a major figure of nineteenth-century English literature.
Portraits
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Julia Augusta Webster
Augusta Webster (as she was known) published one novel, many reviews and several books of poetry, including verse plays, in the last four decades of the 19th century. An activist in social causes, she fought for women's suffrage in England; as a member of the London school Board, she championed the cause of the poor who could not pay for their children's education. Though appreciated by writers and reviewers of her day, Webster's work did not sell well and went out of print soon after her death. Because today her ironic aesthetic philosophical stance, focusing on the pain and brevity of life and avoiding moral judgment, seems current, literary critics have begun to explore her work. This bio...
Julia Augusta Webster
This book treats the literary work of Julia Augusta Webster within the context of Websters participation in nineteenth century British aestheticism. Websters personal life, her experience as a member of the Suffrage Society and her tenure on the London School Board, as well as her position as poetry reviewer for the Athenaeum and participation in the salon society of the 1880s, inform her later work, but her earliest poetry and fiction also reflect the beginnings of the aestheticist perspective on the transience and impermanence of life. This book makes use of extensive archival materials to provide context for a study of Websters literary work, beginning with her first volume of poetry Blanche Lisle and concluding with her posthumously published Mother and Daughter sonnets. In tracing the trajectory of Websters development as an aestheticist poet, Patricia Rigg extends Webster scholarship into areas of the writers work not previously explored.
The Cambridge Companion to Victorian Poetry
This Companion to Victorian Poetry provides an introduction to many of the pressing issues that absorbed the attention of poets from the 1830s to the 1890s. It introduces readers to a range of topics - including historicism, patriotism, prosody, and religious belief. The thirteen specially-commissioned chapters offer insights into the works of well-known figures such as Matthew Arnold, Robert Browning and Alfred Tennyson, and the writings of women poets - like Michael Field, Amy Levy and Augusta Webster - whose contribution to Victorian culture has in more recent years been acknowledged by modern scholars. Revealing the breadth of the Victorians' experiments with poetic form, this Companion also discloses the extent to which their writings addressed the prominent intellectual and social questions of the day. The volume, which will be of interest to scholars and students alike, features a detailed chronology of the Victorian period and a comprehensive guide to further reading.
Mother & Daughter
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Dramatic Studies
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Out of My Borrowed Books
This anthology brings together for the first time a substantial selection of poems by Augusta Webster (1837-94), Mathilde Blind (1841-96) and Amy Levy (1861-89), three poets whose writing both reflected and helped to shape a time when women were working out structures for new kinds of lives and the language for new voices. All three were conscious of the traditions they inherited and remade. The tensions they explore, between compliance and transgression, independence and isolation, make their poetry both creatively rewarding and historically significant. Many of the poems in this selection have been neglected for almost a century: now, restored to their context in the late Victorian literary landscape, their compelling imaginative worlds are once more made accessible to readers. The anthology includes an introduction to the lives and cultural context of the three poets, bibliographies and detailed notes on the poems.
