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The Commissioners of Patents' Journal
  • Language: en
  • Pages: 1952

The Commissioners of Patents' Journal

  • Type: Book
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  • Published: 1881
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  • Publisher: Unknown

None

Die Welt der Ornamente
  • Language: en

Die Welt der Ornamente

  • Type: Book
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  • Published: 2015
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  • Publisher: Unknown

Teeming with tapestries, manuscript illuminations, carpets, and tiles, this far-reaching compendium brings together the two greatest 19th-century catalogues of ornament into one indispensable reference book. Encompassing designs from medieval times through to the 19th century, in styles as diverse as Egyptian, Etruscan, or Middle Eastern, this...

Fortuny
  • Language: en
  • Pages: 194

Fortuny

  • Categories: Art

Uncovers the extraordinary breadth of designer Mariano Fortuny, including and beyond his fashion output, alongside the personal and political catalysts that inspired him Mariano Fortuny y Madrazo (1871-1949) was a polymath who experimented in a variety of media including electric lighting, stage design, photography, the development of pigments, and textile and garment design. Yet his vision as a painter, persistently attuned to light and color, shaped all his artistic endeavors. Fortuny: Time, Space, Light examines Fortuny's Venetian workspaces, clothing designs, stage lighting inventions, and paintings to find unifying themes of revivalism, memory, light, magic, and secrecy that run through...

Dictionary Catalog of the Prints Division
  • Language: en
  • Pages: 854

Dictionary Catalog of the Prints Division

  • Categories: Art
  • Type: Book
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  • Published: 1975
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  • Publisher: Unknown

None

L' Ornement des Tissus
  • Language: fr
  • Pages: 464

L' Ornement des Tissus

  • Type: Book
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  • Published: 1877
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  • Publisher: Unknown

None

Ancient Needlepoint and Pillow Lace, with Notes on the History of Lace-making and Descriptions of Thirty Examples
  • Language: en
  • Pages: 108
Ancient needlepoint and pillow lace
  • Language: en
  • Pages: 110

Ancient needlepoint and pillow lace

  • Type: Book
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  • Published: 1875
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  • Publisher: Unknown

"The large Woodburytype photographs show examples of Italian, Spanish, French and Belgian lace, the process being well suited to showing the fine detail of these intricate examples. Cole (1846-1934) was the son of the first director of the South Kensington Museum, Henry Cole, and was himself closely linked with the South Kensington Museum. He was an expert in textiles, specializing in lace. ... The photographs, though unattributed, were probably the work of the museum's own photography department, established under the direction of Charles Thurston Thompson."--AbeBooks website

Mercat de l'art, col·leccionisme i museus 2021
  • Language: ca
  • Pages: 261

Mercat de l'art, col·leccionisme i museus 2021

  • Categories: Art

Des de l’octubre de 2012 s’han fet regularment de manera anual unes jornades o seminaris científics amb el títol de Mercat de l’Art, Col·leccionisme i Museus, que han donat com a resultat permanent la publicació d’uns volums amb les ponències presentades. Actualment, aquest material configura ja un veritable corpus de valuosa documentació entorn del fenomen del col·leccionisme i el mercat de l’art a Catalunya. La nostra intenció amb la realització d’aquesta jornada ha estat crear una plataforma on poder presentar uns resultats de recerca i discutir-los amb comoditat amb tots els diferents sectors vinculats a les arts: universitaris, professionals dels museus, antiquaris,...

L' art, la décoration et l'ornement des étoffes et des tissus Chez les Anciens et chez les Modernes ...
  • Language: fr
  • Pages: 200
The Production of Consumer Society
  • Language: en
  • Pages: 341

The Production of Consumer Society

With a novel quality theory of consumption which treats opulence and self-restraint in consumption styles symmetrically, Ernst Mohr shows how social distance and proximity are communicated by consumption and produced by communication. He positions fringe styles with those of the mainstream in an overall stylistic system of society and analyses their encounters. Rigorously derived, the approach casts fresh light on the cultural and social evolution as well as the business models of the consumer industry. It provides a coherent interdisciplinary access to the aesthetic turn of society that has so far been treated with contradictory paradigms.