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Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified multiauthored reference work, containing more than one hundred specially commissioned essays by leading contemporary critics from around the world. Providing the first international comparative reassessment of the novel, these essential volumes reveal the form in unprecedented depth and breadth--as a great cultural, social, and human phenomenon that stretches from the ancient Greeks to today, where moderni...
""One only ever asks forgiveness for what is unforgivable." From this contradiction begins Perjury and Pardon, a two-year series of seminars given by Jacques Derrida at the École des Hautes Études en Sciences Sociales in Paris in the late 1990s. In these sessions, Derrida focuses on the philosophical, ethical, juridical, and political stakes of the concept of responsibility. His primary goal is to develop what he calls a "problematic of lying" by studying diverse forms of betrayal: infidelity, denial, false testimony, perjury, unkept promises, desecration, sacrilege, and blasphemy. Although forgiveness is a notion inherited from multiple traditions, the process of forgiveness eludes those ...
In the enchanting realm of Celestyn, three heroes stand against a dark fate that threatens to tear their world—and their hearts—apart. Celestyn: Clash of Light and Darkness weaves a tale of magic, loyalty, betrayal, and redemption, where the destinies of a princess, a knight, and a sorceress are interlinked in a story as treacherous as it is thrilling. Princess Sophie is admired throughout Celestyn for her intelligence, grace, and unwavering devotion to her kingdom. Known for her skill in diplomacy, Sophie has kept her people safe from the Kingdom of Nightfrost. Yet, her dreams of peace are shattered when she’s betrayed and captured, thrust into a world of relentless danger. Her courag...
Charles Baudelaire (1821-1867) é uma das personalidades mais contraditórias da história da literatura. Inovador em sua poesia e em sua abordagem da arte e da música, defensor feroz da liberdade de costumes, ele denigre o progresso e despreza o povo. Sua vida, ao mesmo tempo faustosa e miserável, dissoluta e magnífica, deplorável e deslumbrante, foi a de um pária genial.
Baudelaire was practically unknown in Spain until the last two decades of the nineteenth century when the first important criticism of his work was published by two famous critics, Juan Valera and Clarín. Valera attacked Les Fleurs du mal on aesthetic grounds, basing his criticism entirely on the "satanic" poems. At the same time, Clarín published a series of articles favorable to Baudelaire. Save for Clarín, Spanish critics in the first two decades of the twentieth century based their opinions of Baudelaire solely on Les Fleurs du mal. A notable exception was an article written around 1910 by Emilia Pardo Bazan based on the full scope of Baudelaire's work. Since the 1920s Spanish critics have come to share the high esteem which Baudelaire continues to receive throughout the world.
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Renowned poet Charles Baudelaire played a significant role in introducing Edgar Allan Poe to French readers by publishing widely read criticisms and translations of Poe's writings. The two writers shared an appreciation for the exotic, a taste for morbid subjects, and a devotion to artistic purity. Baudelaire immersed himself in the study of English for the express purpose of doing justice to Poe's works, and his translations established his reputation in the French literary world well before the publication of his most famous book of poetry, Les Fleurs du Mal. In the first part of this study, "Edgar Allan Poe, His Life and Works," Baudelaire sketches his subject's biography and discusses several representative writings. Two additional essays analyze Poe's literary theories and offer intriguing reflections of Baudelaire's own sense of aesthetics. The compilation concludes with a critical miscellany of several other prefaces and notes on the American author and his works.
This study of Baudelaire and English modernism observes his protean influence on poets from Swinburne, who wrote the first English review of Les Fleurs du Mai, to T. S. Eliot. Documenting Baudelaire's impact on Swinburne, Pater, Wilde, Arthur Symons, Aldous Huxley, Edith and Osbert Sitwell, D. H. Lawrence, the Imagists, John Middleton Murry, Eliot, and others, Patricia Clements describes the Baudelaire who is the creation of the English poets and identifies some major lines in the development of modernism in English literature. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Volume 59 Humanistica Lovaniensia: Journal of Neo-Latin Studies, published annually, is the leading journal in the field of Renaissance and modern Latin. As well as presenting articles on Neo-Latin topics, the journal is a major source for critical editions of Neo-Latin texts with translations and commentaries. Its systematic bibliography of Neo-latin studies (Instrumentum bibliographicum Neolatinum), accompanied by critical notes, is the standard annual bibliography of publications in the field. The journal is fully indexed (names, mss., Neo-Latin neologisms).
Introduction: differential reading -- Crisis in the humanities? Reconfiguring literary study for the Twenty First Century -- Cunning passages and contrived corridors: rereading Eliot's "Gerontion" -- The search for "prime words": Pound, Duchamp, and the nominalist ethos -- "But isn't the same at least the same?" Wittgenstein on translation -- "Logocinema of the frontiersman" Eugene Jolas's multilingual poetics and its legacies -- "The silence that is not silence": acoustic art in Samuel Beckett's radio plays -- Language poetry and the lyric subject: Ron Silliman's Albany, Susan Howe's Buffalo -- After language poetry: innovation and its theoretical discontents -- The invention of "concrete prose": Haroldo de Campos's Galaxias and after -- Songs of the Earth: Ronald Johnson's Verbicovisuals -- THe Oulipo factor: The procedural poetics of Christian Bok and Caroline Bergvall -- Filling the space with trace: Tom Raworth's "Letters from Yaddo" -- Teaching the "new" poetries: the case of Rae Armantrout -- Writing poetry/writing about poetry: some problems of affiliation.