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Paintings in the National Gallery, London
Celebrating the collection of paintings in the National Gallery in London, this survey of art covers Flemish, Florentine, French Impressionist, and other great painters and movements.
Paintings in Venice
Featuring six-hundred captioned full-color reproductions, this critical study of the artwork of Venice features essays by four renowned art historians that capture a rich array of architectural monuments, paintings, and other artworks representing a broad spectrum of styles and periods. 10,000 first printing.
Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting
Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.
Giovanni Bellini
With Giovanni Bellini, renowned art historian Oskar Batschmann charts the fraught trajectory of Bellini's career, highlighting the crucial works that established his far-reaching influence in the Renaissance.
Heresy, Culture, and Religion in Early Modern Italy
Leading scholars from Italy and the United States offer a fresh and nuanced image of the religious reform movements on the Italian peninsula in the sixteenth and seventeenth centuries. United in their conviction that religious ideas can only be fully understood in relation to the particular social, cultural, and political contexts in which they develop, these scholars explore a wide range of protagonists from popes, bishops, and inquisitors to humanists and merchants, to artists, jewelers, and nuns. What emerges is a story of negotiations, mediations, compromises, and of shifting boundaries between heresy and orthodoxy. This book is essential reading for all students of the history of Christianity in early modern Europe.
National Library of Medicine Current Catalog
First multi-year cumulation covers six years: 1965-70.
Transformations of Time and Temporality in Medieval and Renaissance Art
A multifaceted picture of the dynamic concepts of time and temporality is demonstrated in medieval and Renaissance art, as adopted in speculative, ecclesiastical, socio-political, propagandist, moralistic, and poetic contexts. Questions regarding perception of time are investigated through innovative aspects of Renaissance iconography.
Venice and the Islamic World, 828-1797
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinatin...
