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Mark Morris emerged in the 1980s as America's most exciting young choreographer. Two decades later, his position remains unchallenged. Morris was born in Seattle in 1956. His Mark Morris Dance Group began performing in New York in 1980. By the mid-eighties, PBS had aired an hour-long special on him, and his work was being presented by America's foremost ballet companies. Morris's dances are a mix of traditionalism and radicalism. They unabashedly address the great themes--love, grief, loneliness, religion, community--yet they are also lighthearted, irreverent, and scabrous. Joan Acocella's probing portrait is the first book on this brilliant and controversial artist. Written with Morris's cooperation, it describes how he has lived and how he turns life--and music and narrative--into dance. Including 78 photographs, Mark Morris provides an ideal introduction to the life and work of one of America's leading artists.
We invoke the ideal of tolerance in response to conflict, but what does it mean to answer conflict with a call for tolerance? Is tolerance a way of resolving conflicts or a means of sustaining them? Does it transform conflicts into productive tensions or does it perpetuate underlying power relations? To what extent does tolerance hide its involvement with power and act as a form of de-politicization? Two major theoreticians of tolerance debate the uses and misuses of tolerance in a dialogue that is rich in critical and conceptual reflections on power, justice, discourse, rationality, and identity.
Theodor Adorno and Max Horkheimer wrote the central text of “critical theory”, Dialectic of Enlightenment, a measured critique of the Enlightenment reason that, they argued, had resulted in fascism and totalitarianism. Towards a New Manifesto shows the two philosophers in a uniquely spirited and free-flowing exchange of ideas. This book is a record of their discussions over three weeks in the spring of 1956, recorded with a view to the production of a contemporary version of The Communist Manifesto. A philosophical jam-session in which the two thinkers improvise freely, often wildly, on central themes of their work—theory and practice, labor and leisure, domination and freedom—in a political register found nowhere else in their writing. Amid a careening flux of arguments, aphorisms and asides, in which the trenchant alternates with the reckless, the playful with the ingenuous, positions are swapped and contradictions unheeded, without any compulsion for consistency. A thrilling example of philosophy in action and a compelling map of a possible passage to a new world.
Leading philosophers and social thinkers, including Richard Rorty, Jacques Derrida, and Jurgen Habermas, pay tribute to the influential American philosopher Richard J. Bernstein.
"It is impressive to see an edited collection in which such a high intellectual standard is maintained throughout... I learned things from almost every one of these chapters."—Craig Calhoun, author of Critical Social Theory
"Using new and largely inaccessible Vietnamese sources as well as French, British, Canadian and American archives, Pierre Asselin sheds valuable light on Hanoi's path to war. Step by step the narrative makes Hanoi's revolutionary strategy from the end of the French Indochina War to the start of the Anti-American Resistance Struggle for Reunification and National Salvation (the Vietnam War) transparent. The book reveals how North Vietnamese leaders moved from a cautious policy emphasizing nonviolent political and diplomatic struggle to a far riskier pursuit of military victory"--
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First published in 1979. In this text the Adamthwaite aims at leading students through the maze of documentation surrounding the Second World War. His book combines a critical assessment of recent research and writing with a painstaking selection of the key documents needed for a clear understanding of the policies that led to war. It contains the first student selection of British, French, German, Italian and Soviet documents, many of which are translated for the first time. Though emphasis falls on the years 1935-9, material is also included for the period 1929-35.
One of the most controversial of all works to survive from ancient Rome, the Augustan History is our main source of information about the Roman emperors from 117 to 284 AD. Written in the late fourth century by an anonymous author, it is an enigmatic combination of truth, invention and humour. This volume contains the first half of the History, and includes biographies of every emperor from Hadrian to Heliogabalus - among them the godlike Marcus Antonius and his grotesquely corrupt son Commodus. The History contains many fictitious (but highly entertaining) anecdotes about the depravity of the emperors, as the author blends historical fact and faked documents to present our most complete - albeit unreliable - account of the later Roman Caesars.
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