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Yves Saint Laurent
Asia has long fascinated European artists. The gradual arrival of art objects and textiles from the Orient were inexhaustible sources of inspiration for painters, sculptors and of course couturiers. Yves Saint Laurent was no exception. He proposed both a literal and imaginary vision of Asia, based on a solid knowledge of its history, culture and arts, as evidenced by his personal library and the collection of works of art that he brought together with Pierre Bergé. Yves Saint Laurent's exhibition Dreams of the Orient brings together some fifty models, accompanied by original drawings, jewelry and Asian objects that will demonstrate the process of creating clothes while establishing a visual link with their sources of inspiration. Objects from the Musée Guimet in Paris (Asian Arts Museum) and the Samuel Myers collection will be on display alongside the designer's creations
Transcending Patterns
In Transcending Patterns: Silk Road Cultural and Artistic Interactions through Central Asian Textiles, Mariachiara Gasparini investigates the origin and effects of a textile-mediated visual culture that developed at the heart of the Silk Road between the seventh and fourteenth centuries. Through the analysis of the Turfan Textile Collection in the Museum of Asian Art in Berlin and more than a thousand textiles held in collections worldwide, Gasparini discloses and reconstructs the rich cultural entanglements along the Silk Road, between the coming of Islam and the rise of the Mongol Empire, from the Tarim to Mediterranean Basin. Exploring in detail the iconographic transfer between different...
Mondrian’s Dress
An extraordinary look at how the style of Piet Mondrian’s abstract paintings was posthumously appropriated by 1960s fashion, Pop art, and consumer culture. Yves Saint Laurent’s 1965 Mondrian dresses are among the twentieth century’s most celebrated and recognizable fashions, but the context of their creation involves much more than meets the eye. In Mondrian’s Dress, Nancy J. Troy and Ann Marguerite Tartsinis offer a fresh approach to the coupling of Piet Mondrian’s interwar paintings with Saint Laurent’s couture designs by exposing the rampant merchandising and commodification that these works experienced in the 1960s. The authors situate the consolidation of Saint Laurent’s f...
Portraiture in Early India
In the study of Indian art prior to the Mughal period, portraiture has so far been much neglected, when its existence has not simply been denied. This book is an attempt to reassess this issue, by showing that portraits have existed in great number in early India, since probably the first artistic achievements. Through a close scrutiny of sculpted and (more rarely) painted images brought together with textual and epigraphical references, it aims at highlighting the specificities of Indian portraiture, its relationship with divine images and, consequently, at understanding the development of Indian imagery. It questions also the social and religious implications related to this issue.
Heavenly Bodies
Since antiquity, religious beliefs and practices have inspired many of the world’s greatest works of art. These masterworks have, in turn, fueled the imaginations of fashion designers in the 20th and 21st centuries, yielding some of the most innovative creations in the history of fashion. Heavenly Bodies: Fashion and the Catholic Imagination explores fashion’s complex and often controversial relationship with Catholicism by examining the role of spirituality and religion in contemporary culture. This two-volume publication connects significant religious art and artifacts to their sartorial expressions. One volume features images of rarely seen objects from the Vatican —ecclesiastical garments and accessories—while the other focuses on fashions by designers such as Cristobal Balenciaga, Domenico Dolce and Stefano Gabbana, John Galliano, Jean Paul Gaultier, Madame Grès, Christian Lacroix, Karl Lagerfeld, Jeanne Lanvin, Claire McCardell, Thierry Mugler, Elsa Schiaparelli, and Gianni Versace. Essays by art historians and leading religious authorities provide perspective on how dress manifests—or subverts—Catholic values and ideology.
Japanese indigo-dyed textiles
Version bilingue francais/anglais. [...] nous nous demandons quel genie a bien pu les creer et faire preuve d'une telle originalite. Soetsu Yanagi (1889-1961) Le tsutsugaki, qui designe aussi bien une technique japonaise de decor reserve a la colle et de teinture a l'indigo que l'oeuvre textile qui en procede, connait son apogee durant l'epoque d'Edo (1603-1868) pour disparaitre progressivement a la fin de la seconde guerre mondiale. Il faut attendre, a la fin des annees 1930, le regard de Soetsu Yanagi, createur de la notion mingei ( art populaire ), pour que soit reconnu au tsutsugaki sa valeur proprement artistique. L'exposition du musee Guimet rassemble, aux cotes d'un tsutsugaki du peintre Foujita et de la collection Krishna Riboud, des oeuvres pour la premiere fois presentees hors du Japon. Veritables tableaux empreints de puissance et de serenite, ces textiles invitent a penetrer au coeur de la culture japonaise. Ce catalogue richement illustre aborde la technique des tsutsugaki, les contextes de leur apparition, de leur redecouverte et de leurs usages, ainsi que la symbolique des motifs qui les composent.
10 000 years of luxury
The exhibition "10,000 Years of Luxury" (Louvre Abu Dhabi, 30 October 2019–18 February 2020) explores the multifaceted nature of luxury from ancient times to the present day. Its catalogue allows the reader to explore luxury through fashion, jewellery, visual art, furniture and design with masterpieces from the collections of international institutions and brands. Highlights among the objects presentes include the oldest pearl in the world, the renowned Boscoreale Treasure – one of the largest collections of silverware preserved from Roman Antiquity – and dresses and jewellery from design houses such as Cartier, Maison Van Cleef & Arpels, CHANEL, Christian Dior, ELIE SAAB and Yves Saint Laurent.
Yves Saint Laurent
Founded by Yves Saint Laurent and Pierre Berge in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.
Avec les amis normands
Toute la famille de Big Blacky et Big Whity apprécie beaucoup l'accueil très chaleureux de leurs amis normands, et elle aime aussi les recevoir dans son "home, sweet home"...
Rethinking Fashion Globalization
"The first edited volume to present decolonial critiques of fashion and globalization and explore the dynamics of 'de-globalization' to propose more diverse fashion definitions, practices and aesthetics"--
