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Theology and H.P. Lovecraft
Theology and H.P. Lovecraft engages with the work of horror author H.P. Lovecraft from a theological perspective. With responses ranging from admiration to critique, the contributors explore the dark uncharted regions of Lovecraft's dark mythology in the service of theological truth.
The Unwilling Adventurer
A sworn enemy of Hawke has been shot dead and the murder weapon belongs to him. He protests his innocence and goes on the run until evidence is found to clear him. Thus, an unwilling adventure where he sets sail with a vibrant cast of men, casting off for unknown waters and strange islands. And enemies abound in the most unlikely of places.
The Christ's Faith
The Christ's Faith coheres with orthodox Christology and Reformation soteriology, and needs to be affirmed to properly confirm the true humanity of the incarnate Son. Without addressing the interpretation of the Pauline phrase pistis christou, this study offers a theological rationale for an exegetical possibility and enriches a dogmatic account of the humanity of the Christ. The coherence of the Christ's faith is shown in two ways. First, the objection of Thomas Aquinas is refuted by demonstrating that faith is fitting for the incarnate Son. Second, a theological ontology is offered which affirms divine perfection and transcendence in qualitative fashion, undergirding a Chalcedonian and Reformed Christology. Thus, the humanity of the Christ may be construed as a fallen human nature assumed by the person of the Word and sanctified by the Holy Spirit. The dogmatic location of The Christ's Faith is sketched by suggesting its (potential) function within three influential theological systems: Thomas Aquinas, federal theology, and Karl Barth. Furthermore, the soteriological role of the doctrine is demonstrated by showing the theological necessity of faith for valid obedience before God.
Pontifex, Son And Thorndyke
This puzzling plot is related by two different characters. Dr Thorndyke is investigating a terrible crime, the solving of which remains elusive because of key facts remaining unknown. He needs the facts to confirm his case: Jasper could complete the blank spaces if only Thorndyke were aware of his existence ........
Theology, Fantasy, and the Imagination
Theology, Fantasy, and the Imagination offers analyses of the theological, philosophical, and religious imagination found in fantasy literature, the theological imagination, and table-top games. Part I offers an invocation to the study through a theological reflection of the “old magic.” Part II analyzes classical Christian fantasy—ranging from dogmatic theological reflection on the fantastic imagination to analyses of C.S. Lewis and J.R.R. Tolkien. Part III analyzes the post-Christian turn in fantasy after about 1960 through today—featuring methodological, theological, and philosophical essays that reflect a movement beyond Christianity in the fantasy literature and writings of Rabbi Shagar, Ursula le Guin, Terry Pratchett, Robert Jordan and David Eddings, and Brandon Sanderson and Orson Scott Card. Part IV closes with two analyses of the religious and philosophical dimensions of table-top games, including Dungeons and Dragons and Magic: the Gathering. Theology, Fantasy, and the Imagination offers astute analyses of how theological fantasy actually is by articulating the religious, philosophical, and theological dimensions of the fantastic imagination.
The Aluminum Dagger
The Aluminum Dagger is a story from a series of 21 novels and 40 short stories by British author R. Austin Freeman featuring the investigations of the brilliant detective Dr. John Evelyn Thorndyke. This time he has to deal with murder behind the doors locked inside, and the only his link is an aluminum dagger shoved into the back of the victim.
The Magic Casket
On a misty November night in London, Dr Thorndyke comes across an abandoned handbag in an old church. From examining the contents an address is found and so begins a mysterious trail leading to the owner and a violent murder. This delightful collection of crime stories has been written to amuse and perplex the most ardent of crime aficionados.
Tolkien and the Classical World
While scholars have often cited the influence of medieval texts and society on J.R.R. Tolkien's seminal fantasy creations, the role of the classical world - the literature and thought of ancient Greece and Rome - has received far less attention. This volume of essays explores various ways in which Tolkien's literary creations were shaped by classical epic, myth, poetry, history, philosophy, drama, and language. In making such connections, the contributors to this volume are interested not simply in source-hunting but in how a reception of the classical world can shape the meaning we derive from Tolkien's masterworks. The contributions to this volume by Philip Burton, Lukasz Neubauer, Giuseppe Pezzini, Benjamin Eldon Stevens, Graham Shipley, and several other scholars should pave the way for further discussions between classical studies and fantasy studies.
