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From the translator of Avigdor Hameiri’s Hell on Earth, winner of the 2019 TLS-Risa Domb/Porjes Prize In this unique memoir, now in English for the first time, Israel’s first Poet Laureate Avigdor Hameiri details a trip to Europe in 1930 from the perspective of a Hungarian Jew who had served in the Habsburg Army. Upon visiting Austria, Hungary, Romania (including parts of ceded Hungarian Transylvania), and Czechoslovakia (including his Carpatho-Ruthenian homeland), he sees Europe in flux on the brink of an unknown disaster. Austria and Hungary are full of youth whose philosophy is “eat, drink and be merry; tomorrow we die.” There is fear of Bolshevism from without, but the unfelt dan...
"This book represents an anthology of Avigdor Hameiri's ten most compelling war stories and poetry. His war stories are unique, and different from his Hebrew writer contemporaries in that they mix the supernatural and macabre with war, pogroms, and antisemitism. These stories and poems reflect like no other the unique complexity of the Jewish soldier's experience of the most vicious and shocking war the world had witnessed to date - the battles, the agony, the dilemmas faced by the Jewish soldier, bravery versus cowardice, the notion of imminent death, breaking the sixth commandment (Thou Shalt Not Kill), elements of pacifism (particularly involving camaraderie between the common soldiers on both sides of the battlefield and their shared hatred for rank), and more"--
A historical account of World War I literature. Hell on Earth is the second book written by Avigdor Hameiri (born Feuerstein; 1890–1970) about his experiences as a Russian prisoner of war during the second half of World War I. Translator Peter C. Appelbaum first became interested in Hameiri’s story after learning that one quarter of the Austro-Hungarian army was captured and imprisoned, and that the horrific events that took place at this time throughout Russia and central Asia are rarely discussed in scholarly texts. Available for the first time to an English-speaking audience, this reality-driven novel is comparable to classics like All Quiet on the Western Front and The Gulag Archipel...
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The overwhelming majority of historical work on the late Habsburg Monarchy has focused primarily on national movements and ethnic conflicts, with the result that too little attention has been devoted to the state and ruling dynasty. This volume is the first of its kind to concentrate on attempts by the imperial government to generate a dynastic-oriented state patriotism in the multinational Habsburg Monarchy. It examines those forces in state and society which tended toward the promotion of state unity and loyalty towards the ruling house. These essays, all original contributions and written by an international group of historians, provide a critical examination of the phenomenon of “dynastic patriotism” and offer a richly nuanced treatment of the multinational empire in its final phase.
Demonstrating the pervasive presence of God in modern Hebrew literature, this book explores the qualities that twentieth-century Hebrew writers attributed to the divine, and examines their functions against the simplistic dichotomy between religious and secular literature. The volume follows both chronological and thematic paths, offering a panoramic and multilayered analysis of the various strategies in which modern Hebrew writers, from the turn of the nineteenth century through the twenty-first century pursued in their attempt to represent the divine in the face of metaphysical, theological, and representational challenges. Modern Hebrew literature emerged during the nineteenth century as ...
Joint Winner of Fraenkel Prize for Contemporary History 2001, London. Winner of Talmon Prize, Israel, awarded by the Israeli Academy of Sciences. Although it was one of the most common experiences of combatants in World War I, captivity has received only a marginal place in the collective memory of the Great War and has seemed unimportant compared with the experiences of soldiers on the Western Front. Yet this book, focusing on POWs on the Eastern Front, reveals a different picture of the War and the human misery it produced. During four years of fighting, approximately 8.5 million soldiers were taken captive, of whom nearly 2.8 million were Austro-Hungarians. This book is the first to consi...
This book examines political humor as a reaction to the lost war, the post-war chaos, and antisemitic violence in Hungary between 1918 and 1922. While there is an increased body of literature on Jewish humor as a form of resistance and a means of resilience during the Holocaust, only a handful of studies have addressed Jewish humor as a reaction to physical attacks and increased discrimination in Europe during and after the First World War. The majority of studies have approached the issue of Jewish humor from an anthropological, cultural, or linguistic perspective; they have been interested in the humor of lower- or lower-middle-class Jews in the East European shtetles before 1914. On the o...
“[A] gripping mix of stories and poems… interwoven with moments of quiet, affecting beauty… This remarkable work rescues an important 20th-century Israeli voice from obscurity.” — Publishers Weekly This book represents an anthology of Avigdor Hameiri’s ten most compelling war stories and poetry. His war stories are unique, and different from his Hebrew writer contemporaries in that they mix the supernatural and macabre with war, pogroms, and antisemitism. These stories and poems reflect like no other the unique complexity of the Jewish soldier’s experience of the most vicious and shocking war the world had witnessed to date — the battles, the agony, the dilemmas faced by the Jewish soldier, bravery versus cowardice, the notion of imminent death, breaking the sixth commandment (Thou Shalt Not Murder), elements of pacifism (particularly involving camaraderie between the common soldiers on both sides of the battlefield and their shared hatred for rank), and more.