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Esther Mahlangu
Esther Mahlangu: A Life in Color is a captivating exploration of the life and work of the iconic South African painter, one of the most influential artists of Pan-African Contemporary Art.
Africa Under the Prism
With a population of nearly seventeen million, Lagos, the former capital of Nigeria, is not only the largest city in Africa but also one of the most densely populated cities in the world. Full of contrasts and contradictions: the enormous increase in population leads to challenges in infrastructure and yet rapid advancements in creative industries. A silent social reawakening is emerging with photography, technology, and new media playing significant roles. The first and, to date, only international art festival of photography in Nigeria, LagosPhoto Festival was initiated in 2010 in this richly vibrant center. A platform on which the development of contemporary photography from Africa and a wider community is established and fostered. As testified to by the images, their African stories are bubbling over with vitality, a zest for life, and the dynamics that deny those proponents of Afropessimism, clearly underscoring a sense for the continent's progress. Festival: LagosPhoto Festival, Lagos 17.10.-21.11.2015 (Quelle: www.hatjecantz.de).
Neo Matloga. Along Came Your Eyes
South African artist Neo Matloga is the winner of the tenth ABN AMRO Art Award in the Netherlands. After relocating to Amsterdam in 2016, he began using ink, charcoal, and photographs to create ?collage paintings? that provide a glimpse of an everyday world, a Black family and community surrounded by a sense of security. Matloga?s new works act as extensions of his curiosity around image-making. As he explores an expanding lexicon of figuration, he places emphasis on crafting micro-narratives that are heavily laden with tension. At times unsettling, the figures may act as reminders of the problems that South Africa continues to face. With a text by curator Azu Nwagbogu.00Exhibition: Hermitage Amsterdam, The Netherlands (17.05-02.10.2022).
The Routledge Companion to Photography, Representation and Social Justice
Including work by leading scholars, artists, scientists and practitioners in the field of visual culture, The Routledge Companion to Photography, Representation and Social Justice is a seminal reference source for the new roles and contexts of photography in the twenty-first century. Bringing together a diverse set of contributions from across the globe, the volume explores current debates surrounding post-colonial thinking, empowerment, identity, contemporary modes of self-representation, diversity in the arts, the automated creation and use of imagery in science and industry, vernacular imagery and social media platforms and visual mechanisms for control and manipulation in the age of surv...
William Kentridge
None
Skin in the Game
Skin in the Game follows on from the acclaimed fieldwork diary, The Metabolic Museum. In this new book, Clémentine Deliss expands on how artists understand risk and contention both in their work and with regard to historical collections. Through a series of compelling conversations, questions are raised on how to work on colonial collections through the concept of the "prototype" as generative of a multiplicity of non-exclusive interpretations. The book includes interviews with leading women artists spanning two generations—Ruth Buchanan, Otobong Nkanga, Collier Schorr, Joëlle Tuerlinckx, and Andrea Zittel—in which they discuss that moment of "skin in the game," when each of them took ...
Folds of Past, Present and Future
This volume brings together important theoretical and methodological issues currently being debated in the field of history of education. The contributions shed insightful and critical light on the historiography of education, on issues of de-/colonization, on the historical development of the educational sciences and on the potentiality attached to the use of new and challenging source material.
Methodology, Ideology and Pedagogy of African Art
This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presen...
Recentering Africa in International Relations
This innovative book responds to an existing demand for taking Africa out of a place of exception and marginality, and placing it at the center of international relations and world politics. Bringing together a number of scholars from various disciplinary backgrounds to stage a critical intervention into the problematic ways Africa is accounted for in the dominant discourses of international relations and global politics, it challenges the structural and epistemic biases of IR that render the contributions of the continent invisible, and situates the continent as a global region that exists beyond notions of lack, disorder, and failure. Through these interventions, the volume contributes to a rethinking of IR, and the conditions of possibility for imagining a world otherwise beyond frames that fetishize Africa paradoxically as transparent and invisible.
