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For the Romans, much of life was seen, expressed and experienced as a form of theatre. In their homes, patrons performed the lead, with a supporting cast of residents and visitors. This sumptuously illustrated book, the result of extensive interdisciplinary research, is the first to investigate, describe and show how ancient Roman houses and villas, in their décor, spaces, activities and function, could constitute highly-theatricalised environments, indeed, a sort of 'living theatre'. Their layout, purpose and use reflected and informed a culture in which theatre was both a major medium of entertainment and communication and an art form drawing upon myths exploring the core values and beliefs of society. For elite Romans, their homes, as veritable stage-sets, served as visible and tangible expressions of their owners' prestige, importance and achievements. The Roman home was a carefully crafted realm in which patrons displayed themselves, while 'stage-managing' the behaviour and responses of visitor-spectators.
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In recent years, the interest on life and work of the Jewish writer, philosopher, mystic and politician Shmuel Hugo Bergmann (1883–1975) has perceptibly increased. Well-known as a protagonist of the famous "Prague Circle", Bergmann headed for Palestine in 1920, became the driving force for building the Jewish National Library in Jerusalem and finally advanced as first Rector of the Hebrew University. All his life, close ties to the Czech Republic remained. In the State of Israel, Bergmann became a leading philosopher and highly admired cultural figure. He himself showed great interest in world religions, mysticism, and Western esotericism. Bergmann also emerged as an important point of ref...
"Cases argued and determined in the Court of Appeals, Supreme and lower courts of record of New York State, with key number annotations." (varies)
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