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Forever Girls explores girlhood manifest in contemporary South Korean cinema within the conflicting socio-political forces that shaped the nation: coloniality, postcolonial and postwar traumas, modernity, and democracy. Author Jinhee Choi reorients the direction of current scholarship on contemporary South Korean cinema from patriarchy, masculinity and violence, to instead consider girls as a social imaginary. Drawing on the depiction of girlhood from the 1970s as a reference image, including that of low-wage working-class girls, Choi explores the extent to which the form of girlhood represented in the millennial South Korean cinema still resonates with such an image. From the popular teen p...
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Using a wide range of sources, the author illuminates the connections between the informal strategies of resistance in the early 20th century and the mass protests of the 50s and 60s.
Korean Women Philosophers and the Ideal of a Female Sage introduces the lives and ideas of two female Korean Confucian philosophers from the late Joseon Dynasty (18th-19th century), Im Yunjidang (1721-1793) and Gang Jeongildang (1772-1832), examining how their writings contribute to contemporary philosophical inquiry. Both philosophers are known for arguing that women are as capable as men of attaining the highest forms of intellectual and moral achievement and thereby can become female sages (yeoseong), with their reasoning building on distinctively Confucian philosophical claims about the original, pure moral nature shared by all human beings. Hwa Yeong Wang and Philip J. Ivanhoe provide a...