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Both an official chronicle and the highly personal memoir of the emperor Babur (1483–1530), The Baburnama presents a vivid and extraordinarily detailed picture of life in Afghanistan, Pakistan, and India during the late-fifteenth and early-sixteenth centuries. Babur’s honest and intimate chronicle is the first autobiography in Islamic literature, written at a time when there was no historical precedent for a personal narrative—now in a sparkling new translation by Islamic scholar Wheeler Thackston. This Modern Library Paperback Classics edition includes notes, indices, maps, and illustrations. From the Trade Paperback edition.
Descended from the house of Timur and Genghis Khan, Zahir-ud-din Muhammad Babur founded the Mughal dynasty in India. Babur lived for most of his early life as an exile in and around his homeland in Central Asia. Declared ruler of Farghana at the age of 12, the young boy had to contend with treacherous uncles, tyrant neighbours and rebellious generals. But he dealt with all of them even while moving towards his historic tryst with India.
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Jahangir was perhaps the most fascinating, and most underestimated, of the Mughal emperors. This compelling, beautifully written biography reveals him to be more than just a great lover of art and nature, ruling alongside his powerful wife nurjahan -
Babar and his family enjoy various activites during each season.
This book presents the Persian Baburnama, a key primary source and the earliest record of Babur’s memoirs. The authoritative translation uses paintings from the original work and draws on contemporary texts of the period to delve into the history of the legendary Mughal ruler. It provides a fresh treatment to the source material and highlights vivid accounts of the historical events of the time. The paintings are divided thematically, offering a unique and rare perspective into the Mughal world. Accompanied by a detailed Introduction, the volume also touches upon narrative art and analyses the influence of European Renaissance art on Mughal painting. With over 150 Mughal paintings and illustrations in colour, this volume will be an important sourcebook for scholars and researchers of Medieval Indian, especially Mughal, history, and art historians, as well as connoisseurs of art and the general reader.
The Mughal dynasty (1526-1858) began with the visionary garden builder and conqueror, Zahir and Din Muhammad Babur. As he conquered new lands, he would build gardens to mark the beauty of the natural landscape and to lay claim to the new territory; the role of garden design and meaning thereafter evolved with each Mughal ruler.
In 1526, when the nomadic Timurid warrior-scholar Babur rode into Hindustan, his wives, sisters, daughters, aunts and distant female relatives travelled with him. These women would help establish a dynasty and empire that would rule India for the next 200 years and become a byword for opulence and grandeur. By the second half of the seventeenth century, the Mughal empire was one of the largest and richest in the world. The Mughal women-unmarried daughters, eccentric sisters, fiery milk mothers and powerful wives-often worked behind the scenes and from within the zenana, but there were some notable exceptions among them who rode into battle with their men, built stunning monuments, engaged in...
A definitive, comprehensive and engrossing chronicle of one of the greatest dynasties of the world – the Mughal – from its founder Babur to Bahadur Shah Zafar, the last of the clan. The magnificent Mughal legacy – the world-famous Taj Mahal being the most prominent among countless other examples – is an inexhaustible source of inspiration to historians, writers, moviemakers, artists and ordinary mortals alike. Mughal history abounds with all the ingredients of classical drama: ambition and frustration, hope and despair, grandeur and decline, love and hate, and loyalty and betrayal. In other words: it is great to read and offers ample food for thought on the human condition. Much more...
The Wrestler's Body tells the story of a way of life organized in terms of physical self-development. While Indian wrestlers are competitive athletes, they are also moral reformers whose conception of self and society is fundamentally somatic. Using the insights of anthropology, Joseph Alter writes an ethnography of the wrestler's physique that elucidates the somatic structure of the wrestler's identity and ideology. Young men in North India may choose to join an akhara, or gymnasium, where they subject themselves to a complex program of physical and moral fitness. Alter's first-hand description of each detail of the wrestler's regimen offers a unique perspective on South Asian culture and society. Wrestlers feel that moral reform of Indian national character is essential and advocate their way of life as an ideology of national health. Everyone is called on to become a wrestler and build collective strength through self-discipline.