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Includes the following titles: Birbal the Just, Birbal the Witty, Raman the Matchless Wit, Gopal the Jester, Raman of Tenali
"This Amar Chitra Katha collection brings together a sample of the Indian literary tradition down the years. It starts with the works of Kalidasa, moving to Sanskrit romances of the Gupta Age, and ancient Tamil Sangam literature which was influenced by Jain and Buddhist thought. As language and literature evolved, each region in the country began to develop its own special modes of writing and story-telling. By the nineteenth century, India was home to not one but a multitude of literatures, each borrowing from, referring to, and overlapping with the others.
As Ravana abducts Sita, the brave vulture Jatayu sacrifices his life trying to save her. With his unparalleled devotion, Nandi gains immortality as Shiva's vahana. The magnificent four-tusked elephant, Airavata emerges from the golden egg of creation to become Indra's trusted vehicle. When Vishnu as Narasimha continues to destroy the world, he takes the form of the two-headed bird, Gandaberunda. Shyama and Sabala, the divine hounds are given the responsible task of guarding Yama's gates. The stories in this Amar Chitra Katha are taken from ancient texts including the Shiva Purana, Vishnu Purana, Gajashastra, the Brahmanas and also from folklore.
This Amar Chitra Katha special edition brings together some of the stories that are woven around gods and goddesses. From the mighty Shiva and Vishnu to the much loved Durga and Ganesha. From the popular gods of the epics like Rama and Krishna to the less
The Adventures of Agad Datta tells of the courage and presence of mind of a young man. This story speaks of justice in ancient India, which was swift and fair.
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They said Jamsetji Nusserwanji Tata turned mud into gold or was it skilful management, clear thinking and honesty that did the trick? He had an uncanny knack for recognizing a good business opportunity and a selfless will to improve the lot of his countrymen. Thus a little known Zoroastrian family became the foremost business house in India's industrial history.
Life is unfair: the virtuous Kannagi deserves a loving husband, but selfish beauties and foolish kings combine to rob her of happiness. Her patience snaps, eventually. Pure in her love, this gentle woman is transformed into an avenging angel, raining death and doom on all her foes, until the gods are forced to intervene. Ilango Adigal's Tamil classic, Shilappadikaram presents life with all its flaws but also with hope.
Balarama is sure that Duryodhana, the Kaurava prince, with his skill in wielding the mace will be the ideal husband for his sister, Subhadra. The princess , however, loses her heart to a handsome recluse who visits their palace. Little does she know that he is none other than the Pandava prince, Arjuna, and that he reciprocates her feelings. It is left to her other brother,Krishna, to understand the situation and solve the dilemma.
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