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When Allan Weisbecker penned the last sentence ofIn Search of Captain Zero,most readers assumed the full scope of the tale had been told. But apparently, life had other plans. In his latest offering,Can't You Get Along With Anyone? A Writer's Memoir and a Tale of a Lost Surfer's Paradise,Weisbecker chronicles the bizarre and convoluted circumstances that drove him from his adopted home in Costa Rica.
In 1996, Allan Weisbecker sold his home and his possessions, loaded his dog and surfboards into his truck, and set off in search of his long-time surfing companion, Patrick, who had vanished into the depths of Central America. In this rollicking memoir of his quest from Mexico to Costa Rica to unravel the circumstances of Patrick's disappearance, Weisbecker intimately describes the people he befriended, the bandits he evaded, the waves he caught and lost en route to finding his friend. In Search of Captain Zero is, according to Outside magazine, "A subtly affecting tale of friendship and duty. [It] deserves a spot on the microbus dashboard as a hell of a cautionary tale about finding paradise and smoking it away." In Search of Captain Zero: A Surfer's Road Trip Beyond the End of the Road is a Booksense 76 Top Ten selection for September/October.
Soon to be a major motion picture starring John Cusack! Mr. Quark is a down-on-his luck pot-smuggler hiding out in the mountains of Colombia with his dog, High Pockets, and a small band of banditos led by the irascible Jose. Only months before, these three and their fearless associates were rolling in millions in cash and high-grade marijuana, eluding prosecution on “ridiculously false” drug and terrorism charges. But times have quickly grown lean, and to liven up their exile, Jose decides to mug a family of American tourists. Among the spoils are physics texts, which launch Mr. Quark on a side-splitting, boisterous adventure north to California, where he confronts the owner of the books with his own theories on relativity, the nature of the universe, and looking for the meaning of life in all the wrong places….
The New York Times bestselling kitty boy blasts off into another hilarious adventure. Buckle up, amigos— everyone’s favorite kitty boy is about to lift off. You’ll want to be there when the brave Skippito gets lost in spice! That’s right, spice. Skippy knows— from his big ears to his toes—that the planet Mars is red because it’s covered in spicy red pepper. To prove it, he’s off on a space jaunt replete with craters, crazies, and creatures from Mars. His new adventure is packed with witty wordplay, Spanish phrases, and Judy Schachner’s trademark hilarity. This rollicking romp is simply out of this world. Watch a Video
"This book is the true story of what i[t] was like being a product of the Baby Boom, growing up in a fast-changing world, and being a small spoke in the big green wheel of a very unpopular war. It's also about surviving the war, only to return to a country full of anti-war sentiment and great disdain for its own young men that they had sent off to war. These are the memoirs of a man who has answered his country's call, served in the jungles, rice paddies, and rubber plantations of South Vietnam...I walk you through my military career. From receiving my draft notice, through...finally being discharged after two years of service. I continue...sharing with you what it was like coming back to civilian life, trying to find work, taking advantage of the GI Bill, and always dealing with the stigma of Vietnam." --Author's Introduction.
Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.