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As suggested by the title Fourteen Fraught Fables and One Debatable Day, this book is composed of two independent parts. The fourteen fables are brief subjective tales, some which might be called surreal, others simply fantastic, but all of them bizarre products of a rare imagination. They take place in a world which seems at first very like our own, but which by the end of each has altered into something disconcertingly unexpected. A characteristic example: through sheer will power, the narrator rides his exercise bicycle off its stand and into realms he had never dreamt of. The longer work, One Debatable Day, tells of the humorously narrated quest by Valentinevery much of an Everyman in hi...
This book shows how disinformation spread by partisan organizations and media platforms undermines institutional legitimacy on which authoritative information depends.
"Davila has entered the back rooms of a new and important sector of the advertising industry, shedding light on the people and businesses that are working to exploit the marketing hot buttons of Hispanic USA. Latinos, Inc. could become a scholarly milestone, a vivid portrayal of the strange marriage between cultural anthropology and merchandising strategies that forms an elemental ingredient of U.S. consumer society."—Stuart Ewen, author of PR! A Social History of Spin "A work derived from prodigious fieldwork that sets a standard for the ethnography of cultural institutions in their varied corporate forms and market participations. Latinos Inc. provides a rich, fascinating, and fresh empi...
The Social (Re)Production of Architecture brings the debates of the ‘right to the city’ into today’s context of ecological, economic and social crises. Building on the 1970s’ discussions about the ‘production of space’, which French sociologist Henri Lefebvre considered a civic right, the authors question who has the right to make space, and explore the kinds of relations that are produced in the process. In the emerging post-capitalist era, this book addresses urgent social and ecological imperatives for change and opens up questions around architecture’s engagement with new forms of organization and practice. The book asks what (new) kinds of ‘social’ can architecture (re...
This is an oral and local history of the coal mining town of Donetsk in the Ukraine. The workers describe their changing political and economic goals and their reaction to Western culture, the rising tides of nationalism and religion.
"Democracy and the Political Unconscious is rich in theoretical insights, but it is also grounded in the practical problems of those who are trying to process the traumas of oppression, terror, and brutality and create more decent and democratic societies."--Jacket.
This landmark collection maps and motivates the anthropological voice in media studies by locating the media in worlds of practice, sentiment, debate and dissent. Using such vivid examples as the image management of the Dalai Lama and the social organization of Nigerian cinema theatres, the authors remind us that media machineries are not more magical than the social worlds they inhabit and project. [Back cover].
Increasingly, Indigenous people are being drawn into global networks. In the long term, cultural isolation is unlikely to be a viable even if sometimes desired option, so how can Indigenous people protect and advance their cultural values in the face of pressures from an interconnected world? Indigenous Cultures in an Interconnected World is a comprehensive, thought provoking discussion of the challenges that globalisation brings to Indigenous peoples. It discusses successful strategies that have been used by Indigenous peoples to promote their identities and cultural values. It looks at their roles as equal and active participants and, indeed, as innovators and leaders in an interconnected world. The chapters in this book present a global perspective on Indigenous issues. They feature a cross-disciplinary integration that takes a holistic approach in-line with that of most Indigenous peoples and include vignettes of Indigenous cultural practices.
Rhetoric about media technology tends to fall into two extreme categories: unequivocal celebration or blanket condemnation. This is particularly true in debate over the clash of values when first world media infiltrate third world audiences. Bringing together the best new work on contemporary media practices, technologies, and policies, the essayists in Global Currents argue that neither of these extreme views accurately represents the role of media technology today. New ways of thinking about film, television, music, and the internet demonstrate that it is not only media technologies that affect the cultures into which they are introduced--it is just as likely that the receiving culture wil...
"Erzen is sensitive, savvy, and provocative. Her mastery of historical sources, ethnographic technique, and accessible writing style are evident throughout. She illuminates aspects of conservative Christianity central to the 'culture wars,' deepening our understanding of the movement's internal struggles over sexuality, gender, and family issues. Erzen has written a wonderful book."--Diane Winston, author of Red-Hot and Righteous: The Urban Religion of the Salvation Army "Tanya Erzen's wonderful and timely book provides us with a compelling cultural history of the Christian right in the post-war period--from the cold war to family and sexual politics--as well as remarkable ethnographic insight into the dynamics of Exodus International. With compassion, humor, and insight, Erzen takes the reader through the ideological, organizational, and daily practices used in efforts to change people's theological and sexual orientations, from self-help to conversion testimony."--Faye Ginsburg, Professor of Anthropology, New York University, author of Contested Lives