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The Actresses
They all met again at the Drama School Reunion: the Hollywood celebrity, the out-of-work soap star, the understudy, the Shakespearian hero. Thirty-six years ago, they dreamed of the great parts awaiting them. What they did not know was that the parts would soon dry up, for the actresses. Because they had stopped being young. But: once an actress, always an actress and on this hot, summer's day it becomes clear that age does not wipe out ambition. Or desire. Or memory. Or love. So when the Reunion culminates in an accusation of rape that dominates every newspaper in the country, the past – sweet, cruel, tragic – comes flooding back, and the actresses become the stars of the story. Perceptive, shocking, gripping and wise, this could only have been written by somebody who has been there.
One Minute Crying Time
This vivid memoir by well-known New Zealand actor and novelist Barbara Ewing covers her tumultuous childhood, adolescence, and young-adulthood in Wellington and Auckland in the 1950s and early 1960s—a very different time—and ends in 1962, when she boards a ship for London to study at the Royal Academy of Dramatic Art. It draws heavily on the diaries she kept from the age of twelve, which lead her to some surprising conclusions about memory and truth. Ewing struggled with what would now be diagnosed as anxiety; she had a difficult relationship with her brilliant but frustrated and angry mother, and her decision to somehow learn Maori drew her into a world to which few Pakeha had access. A love affair with a young Maori man destined for greatness was complicated by society's unease about such relationships, and changed them both. Evocative, candid, brave, bright, and darting, this entrancing book takes us to a long-ago New Zealand and to enduring truths about love.
A Memoir of Barbara Ewing (Classic Reprint)
Excerpt from A Memoir of Barbara Ewing That trying event happened several years ago, but it had made an indelible impression on Mrs. Ewing's mind. She never spoke of her sister's death but with the deepest seriousness. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Circus Of Ghosts
New York, late 1840s, and in the wild, noisy, brash and beautiful circus of Silas P. Swift a shadowy, mesmeric woman entrances crowds because she can unlock the secrets of troubled minds. Above them all her daughter sweeps and soars: acrobat and tightrope-walker. People cannot take their eyes from the mysterious woman in the Big Top who can help so many others - but she cannot unlock dark, literally unspeakable, memories of her own. In London memories fester in the mind of an old and venomous duke of the realm. He plots, with an unscrupulous lawyer (and a huge financial reward) against the mother and the daughter: to kill one, and to abduct the other and bring her across the Atlantic to him: She is mine. The actress and mesmerist Cordelia Preston and her daughter Gwenlliam live with their unusual family in the exciting new city among exciting new ideas: the telegraph, the daguerrotype, anaesthesia, table-tapping. And among the dangerous street-gangs of New York also, whose raw violence meets Cordelia and Gwenlliam and those that they love, with unexpected results.
Memoir of Barbara Ewing
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Actresses a Special
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The Fraud
1765. Filipo di Vecellio of Florence, portrait painter, is the toast of London: rich, successful, and married to Angelica, known as the most beautiful woman in the city. Their Pall Mall home is the hub of the art world; their impressive social gatherings run so smoothly by Filipo's silent sister, Francesca. But beneath the surface, the house conceals a swarm of dangerous secrets. Where does Francesca di Vecellio go as the sun sets over Covent Garden? And why are there always candles lit in her attic, while no candles burn for her brother's exquisite wife? Within the bustling artistic lives of the di Vecellios hides corruption and lies; love and tragedy. And wild ambition unbalances the capital's art world as, finally, a wonderful portrait battles for the right to paint the truth . . .
