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Catholic Churches of London
In this comprehensive survey of London's Catholic churches, Dr Evinson's inventory lists all 140 churches in the cities of London, Westminster and the inner surrounding boroughs. In each case the entries include the foundation of the mission, the building history of the church, the role of the clergy and lay patrons, an architectural description and an account of the church's permanent furnishings. A substantial introduction treats the subject in chronological terms, embracing the period of Catholic emancipation followed by the Gothic, Classical, Byzantine and Romanesque revivals. Post-1945 developments in structure and planning are also explored, followed by a survey of furnishings and artists. This book should appeal to Catholic Londoners and parish priests, as well as art historians and tourists.
When Jesuits Were Giants
No one in France or the United States during the second half of the nineteenth century doubted that the Jesuits, loved and honored by friends, hated and feared by enemies, were a force to be reckoned with. Scholars, missionaries, educators, adventurers, social innovators - they were Renaissance men, giants. This is a biography that chronicles the life and times of just such a man, Louis-Marie Ruellan, who began his life as a romantic, pampered, bourgeois Breton who ended up a selfless servant of God. Ruellan had entered the Jesuits in 1870, just in time to serve with them in the Franco-Prussian War. After the war, he was exiled with them to England in 1880, and finally came to the United States in 1883 to work among the Salish Indians of the Pacific Northwest. Among other things, Ruellan ended up as a founder of Gonzaga University. Through Ruellan's extensive correspondence, much of which is contained in the book, the author introduces the reader to miners lured to the Northwest by gold, as well as to the Indians, homesteaders, railroad laborers, farmers, and the men and women who gave the American frontier such a magical aura.
The Many Faces of Weimar Cinema
Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, "expressionist film," has been taken as synonymous with the cinema of the entire period. But in recent decades, such reductive assessments have been challenged by developments in film theory and archival research that highlight the tremendous richness and diversity of Weimar cinema. This widening of focus has brought attention to issues such as film as commodity; questions of technology and genre; transnational collaborations and national identity; effects of changes in socioeconomics and gender roles on film spectatorsh...
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Exposing Men
Exposing Men examines how ideals of masculinity have long skewed our societal--and scientific--understanding of one of the pillars of male identity: reproductive health. Only with the recent public exposure of men's reproductive troubles has the health of the male body been thrown into question, and along with it deeper masculine ideals. Whereas once men's sexual and reproductive abilities were the most taboo of topics, today erectile dysfunction is a multi-billion dollar business, and magazine articles trumpet male reproductive decline with headlines such as "You're Half the Man Your Father Was." Cynthia R. Daniels casts a gimlet eye on our world of plummeting sperm counts, spiking reproduc...
Women in German Yearbook
Volume 12 of Women in German Yearbook opens with a cluster of cross-disciplinary articles. Sara Lennox explores pertinent theoretical issues and introduces articles by historian Atina Grossman, sociologist Myra Marx Ferree, and political theorist Joan Cocks. Three subsequent articles focus on the nineteenth century: Todd Kontje challenges the notion that the Wars of Liberation renewed conservatism regarding gender, Irmela Marei Kr_ger-F_rhoff presents a new reading of the father-daughter relationship in Kleist's Marquise of O . . . , and Helen G. Morris-Keitel describes the "cultural work" of Louise Otto's Castle and Factory.Barbara Hales analyzes the criminal femme fatale as evidence of Wei...
The Jacobite Peerage, Baronetage, Knightage, and Grants of Honour, Extracted, by Permission, from the Stuart Papers Now in Possession of His Majesty the King at Windsor Castle, and Supplemented by Biographical and Genealogical Notes
Between 1688--when James II and VII was declared to have abdicated his throne--and 1784, James II and VII and his successors in exile (Bonnie Prince Charlie, etc.) retained the plenary authority to bestow nobiliary and chilvalric honors. In fact, the Stuarts conferred over two hundred hereditary titles and made hundreds of court appointments during this ninety-six-year period. The names and particulars of those receiving such titles are extraordinarily difficult to locate, since they do not appear in any of the standard books on the Peerage and Baronetage. For this reason, Genealogical Publishing Company is pleased to announce their reissue of Marquis de Ruvigny & Raineval's acclaimed "The Jacobite Peerage," the only book ever to document these unofficial conferrals. This remarkable work, treating titles that are neither claimed nor used, and which died with the dynasty by which they were conferred, contains a previously untapped wealth of genealogical and historical material.
Enchanted by Cinema
William Thiele is remembered today as the father of the sound film operetta with seminal classics such as Drei von der Tankstelle (1930). While often considered among the most accomplished directors of Late Weimar cinema, as an Austrian Jew he was vilified during the onset of the Nazi regime in 1933 and fled to the United States where he continued making films until the end of his career in 1960. Enchanted by Cinema closely examines the European musical film pioneer’s work and his cross-cultural perspective across forty years of filmography in Berlin and Hollywood to account for his popularity while discussing issues of ethnicity, exile, comedy, music, gender, and race.
