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High Times is the true story of Michael Medjuck, whose taste for weed, women and the good life led him from late-1960s Johannesburg to notoriety as one of the biggest hash and weed smugglers in North America. From his base in Vancouver, Michael built up a smuggling network that supplied dealers in scores of cities across Canada and the United States. The proceeds from smuggling afforded this former King David High School pupil a lifestyle of hedonistic excess – the finest wines, the most glamorous hookers, the best weed in the world. In 1991, Michael was nabbed by US federal agents while smuggling an enormous shipload of Afghani hash into the West Coast of Canada. Put on trial as the schem...
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The Lloyd’s Register of Yachts was first issued in 1878, and was issued annually until 1980, except during the years 1916-18 and 1940-46. Two supplements containing additions and corrections were also issued annually. The Register contains the names, details and characters of Yachts classed by the Society, together with the particulars of other Yachts which are considered to be of interest, illustrates plates of the Flags of Yacht and Sailing Clubs, together with a List of Club Officers, an illustrated List of the Distinguishing Flags of Yachtsmen, a List of the Names and Addresses of Yacht Owners, and much other information. For more information on the Lloyd’s Register of Yachts, please click here: https://hec.lrfoundation.org.uk/archive-library/lloyds-register-of-yachts-online
R. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that they might take on attributes of the cinema. The cinema, Elder argues, became, in the early decades of the twentieth century, a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape. To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concerning modernity’s cognitive (and perceptual) regime, with a view to establishing that a crisis within that regime...
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