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"Ferne is a time capsule of mid-century Detroit, a city poised to explode. Its sounds, scents, and sights spill forth, as vividly experienced by a vibrant young woman whose life would end too soon. Ferne joyously curates her own life; that's the heart of this book. But we also encounter her through the fervent eyes of her daughter, poet and novelist Barbara Henning, who lyrically fills in and fleshes out the social contours and details of the ghostly presence that haunts these pages. Through her daughter's skilled hands, Ferne comes to life again on these pages, bringing with her glimpses of the city she loved so deeply"--
Cliff Fyman's Taxi Night is a splendid and powerful book-length poem in four parts. The real-life patter and ambience of his fares reach the hackie, Fyman, as he transports a rainbow cast of denizens around the boroughs from 5 p.m. until 5 a.m. The first two sections are transcribed from overheard cellphone combat, or a jiving fare who tries to play Fyman verbally, or more than a few nutcases. But Fyman's show is the farthest thing from a freak show. Each appearance at the mike, so to speak, is brief. Fyman presents the words he captures in precisely sculpted form, ingenious line breaks, one word lines - from-the-gut poems which retain a credible verbatim and are rigorously artful. Eloquence...
Poetry. A new book of poems by the author of You, Me & The Insects and Love Makes Thinking Dark. "In this witty, post-Oulipian take on you-are-what-you-read, Henning dispossesses, recycles, and levels out the singular lines she lifts from the likes of Bataille, Joyce, or Gertrude Stein, all the way to authors of travel aned cookbooks that sit on her shelves. The resulting seventy-one 'sonnets' sound their orphaned music: 'strangers now, but once we were lovers' with the hidden glee of the artist behind her console, sampling, spinning, shredding, and remixing. My Autobiography is a concept, a mirror, a community: see you there!"--Chris Tysh.
Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her ménage à trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of...
Jesper Humlin is a poet of middling acclaim who is saddled by his underwhelming book sales, an exasperated girlfriend, a demanding mother, and a rapidly fading tan. His boy-wonder stockbroker has squandered Humlin's investments, and his editor, who says he must write a crime novel to survive, begins to pitch and promote the nonexistent book despite Humlin's emphatic refusals. Then, when he travels to Gothenburg to give a reading, he finds himself thrust into an entirely different world, where names shift, stories overlap, and histories are both deeply secret and in profound need of retelling. Leyla from Iran, Tanya from Russia, and Tea-Bag, who is from Africa but claims to be from Kurdistan (because Kurds might receive preferential treatment as refugees)--these are the shadow girls who become Humlin's unlikely pupils in impromptu writing workshops. Though he had imagined their stories as fodder for his own book, soon their intertwining lives require him to play a much different role. Offering both surprising humor and heartbreaking moments, The Shadow Girls is a triumph that will please longtime fans of Mankell as well as readers new to his work.
Literary Nonfiction. Poetry History & Criticism. African American Studies. Introduction by Juliana Spahr. Six years after Harryette Mullen and Barbara Henning first met at the legendary Nuyorican Poets Café, Henning proposed she do a postcard-format interview of Mullen that would allow for a "very small postcard space in which to respond...[t]he idea of cards flying through the mail & overlapping." Thus began what is now LOOKING UP HARRYETTE MULLEN, unique collaborative conversations that offer a candid look at the influences, politics, and poetics that inform Mullen's poetry. The conversation expands even further in the second set of spoken interviews that include concerns as far-ranging as the Heaven's Gate cult, Oulipian constraints such as S + 7 and lipograms, syllabic rhymes, and Aimé Césaire. In stunning detail, Mullen and Henning discuss the origins of each poem in Mullen's highly acclaimed collection Sleeping with the Dictionary. For poets and readers of poetry interested in witnessing how a brilliant, singular writer embarks on the journey of generating work to scholars researching the inception of Mullen's poems, this book informs by way of technique and vitality.
FROM THE AUTHOR OF THE WALLANDER MYSTERIES REVENGE CAN TAKE MORE THAN A LIFETIME In a sleepy hamlet in north Sweden, the local police make a chilling discovery; nineteen people have been brutally slaughtered. It is a crime unprecedented in Sweden's history and the police are under incredible pressure to solve the killings. When Judge Birgitta Roslin reads about the massacre, she realises that she has a family connection to one of the couples involved and decides to investigate. When the police make a hasty arrest it is left to her to investigate the source of a nineteenth century diary and red silk ribbon found near the crime scene. What she will uncover leads her into an international web of corruption and a story of vengeance that stretches back over a hundred years. The Man from Beijing is a gripping political thriller and a compelling detective story from a writer at the height of his powers.
Calling to mind Basho¯’s late life journeys through the backcountry of Japan, two women poets in a well-worn Honda hit the road for a legendary pilgrimage in a far-flung (pre-pandemic) landscape of American poetry. Although a road trip across North American calls to mind Jack Kerouac’s youthful meanderings of self-discovery, this reading tour was more in the manner of Basho¯’s late life journeys through the backcountry of Japan. . . . The road trip was in a sense a pilgrimage of reengagement with their calling as poets, and a chance to reacquaint with like-minded friends, old and new, in a far-flung landscape of American poetry. Venues would include upscale bookstores, coffee houses,...
Poetics of Cognition investigates the material effects of experimental poetics using new evidence emerging from cognitive science. It asks: How do experimental poems “think” and how do we think through them? Examining experimental modes such as the New Sentence, proceduralism, projective verse, sound poetry, and visual poetry, Jessica Lewis Luck argues that experimental poems materialize not so much the content as the activity of the embodied mind, and they can thus function as a powerful scaffolding for extended cognition, both for the writer and the reader. While current critical approaches tend to describe the effects of experimentalism solely in terms of emotion and sensation, Luck s...
Fiction. Literary Nonfiction. Edited by Barbara Henning. Includes twelve pages of black and white photographs and an interview with the author by Barbara Henning. "Bobbie Louise Hawkins captures the sound of the human voice on the page with grace and honesty and allegiance to the music of the way people talk, interact, lie to themselves (and others), make speeches, converse. Her (dis)comfort zone is the fine line between past and present, who you want to be and who you are, and she always knows when to stop. Applause to Barbara Henning for gathering these minimalist-epic tales all in one place, a keepsake for the ages." Lewis Warsh "When Bobbie Louise Hawkins sets out to tell a story, a spel...