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Form and Reform in Renaissance England
Written by scholars on both sides of the Atlantic, they reexamine the categories which have shaped recent studies of early modern culture and literature, such as what constitutes the category of author or reader, what demarcates a particular literary form, and how its discursive shape might influence, and in turn be influenced by, contemporary political practices."--BOOK JACKET.
Donne's Anniversaries and the Poetry of Praise
In his occasional poetry, and especially in his two elegaic Anniversary poems, Donne created a special symbolic mode in seventeenth-century poetry of praise and compliment. Barbara Kiefer Lewalski's reading of the Anniversary poems recognizes them as complex mixed-genre works which weld together formal, thematic, and structural elements from the occasional poem of praise, the funeral elegy, the funeral sermon, the hymn, the anatomy, and the Protestant meditation. Focusing especially on theme and structure, her reading demonstrates the coherent symbolic method and meaning of these poems and also their careful logical articulation, both as individual poems and as companion pieces. Essentially,...
Writing Women in Jacobean England
When was feminism born - in the 1960s, or in the 1660s? For England, one might answer: the early decades of the seventeenth century. James I was King of England, and women were expected to be chaste, obedient, subordinate, and silent. Some, however, were not, and these are the women who interest Barbara Lewalski - those who, as queens and petitioners, patrons and historians and poets, took up the pen to challenge and subvert the repressive patriarchal ideology of Jacobean England. Setting out to show how these women wrote themselves into their culture, Lewalski rewrites Renaissance history to include some of its most compelling - and neglected - voices. As a culture dominated by a powerful Q...
The Life of John Milton
Providing a close examination of Milton's wide-ranging prose and poetry at each stage of his life, Barbara Lewalski reveals a rather different Milton from that in earlier accounts. Provides a close analysis of each of Milton's prose and poetry works. Reveals how Milton was the first writer to self consciously construct himself as an 'author'. Focuses on the development of Milton's ideas and his art.
The Cambridge Companion to Milton
An accessible, helpful guide for any student of Milton, whether undergraduate or graduate, introducing readers to the scope of Milton's work, the richness of its historical relations, and the range of current approaches to it. This second edition contains several new and revised essays, reflecting increasing emphasis on Milton's politics, the social conditions of his authorship and the climate in which his works were published and received, a fresh sense of the importance of his early poems and Samson Agonistes, and the changes wrought by gender studies on the criticism of the previous decade. By contrast with other introductions to Milton, this Companion gathers an international team of scholars, whose informative, stimulating and often argumentative essays will provoke thought and discussion in and out of the classroom. The Companion's reading lists and extended bibliography offer readers the necessary tools for further informed exploration of Milton studies.
Protestant Poetics and the Seventeenth-Century Religious Lyric
Barbara Lewalski argues that the Protestant emphasis on the Bible as requiring philological and literary analysis fostered a fully developed theory of biblical aesthetics defining both poetic art and spiritual truth. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Renaissance Genres
Today genre studies are flourishing, and nowhere more vigorously perhaps than in the field of Renaissance literature, given the importance to Renaissance writers of questions of genre. These studies have been nourished, as Barbara Lewalski points out, by the varied insights of contemporary literary theory. More sophisticated conceptions of genre have led to a fuller appreciation of the complex and flexible Renaissance uses of literary forms. The eighteen essays in this volume are striking in their diversity of stance and approach. Three are addressed to genre theory explicitly, and all reveal a concern with theoretical issues. The contributors are Earl Miner, Ann E. Imbrie, Claudio Guillen, Alastair Fowler, Harry Levin, Morton W. Bloomfield, Mary T. Crane, Barbara J. Bono, Janel M. Mueller, Annabel Patterson, Steven N. Zwicker, Marjorie Garber, Robert N. Watson, John N. King, Heather Dubrow, John Klause, James S. Baumlin, and Francis C. Blessington.
Paradise Lost and the Rhetoric of Literary Forms
This comprehensive study interprets Paradise Lost as a rhetoric of literary forms, by attending to the broad spectrum of literary genres, modes, and exemplary works Milton incorporates within that poem. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
