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This monograph examines the Royal Commissions on Patent (1864) and Copyright (1878) by exploring the people, procedures, and politics behind these in-depth inquiries into intellectual property reform of the latter half of the nineteenth century, and by placing them within their historical and ideological context. In examining copyright and patent law from the ground up, commission members were necessarily forced to grapple with fundamental questions about the nature of property itself. Commissioners' views on the nature and purpose of copyright and patent influenced their views on how far the rights should extend-in time, geography, and scope. Close analysis of the Commissions provides insight into our own debates about the nature of intellectual property and provide a model for future attempts at law reform. The book is a contribution to the history not only of intellectual property law but also of royal commissions in the nineteenth century. The author gives a well-rounded picture of developments in thought about intellectual property as a whole in the period, which are still critical in the way we understand and approach the subject today.
There has been an explosion of interest in recent years regarding the origin and of intellectual property law. The study of copyright history, in particular, has grown remarkably in the last twenty years, with a flurry of activity in the last ten. Crucial to this activity has been a burgeoning focus on unpublished primary sources, enabling new and stimulating insights. This Handbook takes stock of the field of copyright history as it stands today, as well as examining potential developments in the future.
In the 1880s and 1890s, Walter Besant was one of Britain’s most lionized living novelists.Today he is comparatively unknown.Bringing together literary critics and book historians, as well as social and cultural historians, this volume provides a major reassessment of Besant.
Anthony Trollope's novels and stories entertain while vividly bringing the Victorian era to life. His deep empathy for the underdog led him to subvert conventions, exploring the lives of women, as well as men, and choosing as heroes and heroines outsiders who would be viewed with suspicion by his readers. Trollope's profound insight to human nature made him the first novelist in English to develop three dimensional characters and to create the novel sequence. This literary companion introduces readers to his life and work. A-to-Z entries explore Trollope's short story collections, and nonfiction contributions, as well as important themes in the works. This companion also includes fresh voices of contributors that bring in their contemporary insights to bear on Trollope's achievements, facilitating the understanding of Trollope's perspectives in relation to feminism, queer studies, and transnationalism.
"In view of the value placed in Scotland on education, reading, and self-improvement and the enterprise and inventiveness with which the inhabitants of the far poorer northern kingdom responded to the opportunities opened up to them by the Union with England, it is not surprising that Scotsmen were heavily represented in the printing and publishing trades. An altogether disproportionate number of the great publishing houses of the English-speaking world, whose names were to become household words - Blackie, Blackwood, Collins, Constable, Macmillan, Millar, Murray, Nelson, Smith and Elder, Strahan -- were founded by men, often enough of quite humble origin, from "north of the border."--
The League of Nations Advisory Committee on the Traffic in Opium and Other Dangerous Drugs, created in 1920, culminated almost eight decades of political turmoil over opium trafficking, which was by far the largest state-backed drug trade in the age of empire. Opponents of opium had long struggled to rein in the profitable drug. Opium’s Long Shadow shows how diverse local protests crossed imperial, national, and colonial boundaries to gain traction globally and harness public opinion as a moral deterrent in international politics after World War I. Steffen Rimner traces the far-flung itineraries and trenchant arguments of reformers—significantly, feminists and journalists—who viewed op...
The first book to address the way that the broad and inclusive subject of legal history is researched and written.
Extending the limits of the award-winning Routledge Handbook to Nineteenth-Century Periodicals and Newspapers (2016) and its companion volume (and also award-winning) Researching the Nineteenth-Century Press: Case Studies (2017), Work and the Nineteenth-Century Press: Living Work for Living People advances our knowledge of how our identities have become inextricably defined by work. The collection’s innovative focus on the nineteenth-century British press’s relationship to work illuminates an area whose effects are still evident today but which has been almost totally neglected hitherto. Offering bold new interpretative frameworks and provocative methodologies in media history and literary studies developed by an exciting group of new and established talent, this volume seeks to set a new research agenda for nineteenth-century interdisciplinary studies.
The edited volume deals with the expansion and institutionalization of intellectual property norms in the twentieth century, with a European focus. Its thirteen chapters revolve around the transfer, adaptation and the ambivalence of legal transplants in the interface between national and international projects, trends and contexts.ÿ The first part discusses the institutionalization of copyright and patent law in the framework of the bigger political and economic projects of the twentieth century. The second and third parts of the collection review relevant processes in the communist regimes and the post-communist societies, respectively. The essays refl ect on the concept and the mechanisms of expansion of intellectual property rights by pointing at processes of enculturation, transnationalization and universalization of norms, as well as practices of incorporation and resistance. The contributors lay a particular emphasis on the role and activity of social actors in the establishment and validation of intellectual property norms and regimes, from the function of experts and creation of expert cultures to the compelling power of popular street protests.