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Early Christianity emerged from obscurity to dominate the Roman world: that story, told and retold, continues to fascinate historians and believers. But the religion of ordinary Christians is not so well or easily known; they have left us no literary record of their faith and their hope, their marrying and their dying, their worship and their common life. Before the publication of "Ante Pacem there was no introduction or source-book for early Christian archaeology available in English. With his book Professor Snyder has performed an incalculable service for students of early Christianity and the world of late antiquity. He analyzes in one lavishly illustrated volume every piece of evidence that can, with some degree of assurance, be dated before the triumph of the emperor Constantine at the Milvian Bridge in 312CE thrust the nascent Christian culture "into a universal role as the formal religious expression of the Roman Empire."
This volume collects the proceedings of the final conference of the European project EAGLE (Europeana network of Ancient Greek and Latin Epigraphy), held at the Sapienza University of Rome on January 28-30th 2016.
Robert Couzin’s Right and Left in Early Christian and Medieval Art is the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century. Heretofore largely unnoticed or ignored, the pre-eminence of the right and lapses or intentional departures from that norm in medieval imagery are relevant to such major themes as iconography, visuality, reception, narrative, form, gender, production, and patronage. The author’s investigation of right and left in visual culture is informed by modern experimental research on laterality and contextualized within prevailing theological doctrines and socio-cultural practices. Illustrations in the text are complemented by hundreds more made available on Brill's Arkyves platform here. See inside the book.
The Apostles in Early Christian Art and Poetry presents the first in-depth analysis of the origins of the representation of the apostles (the twelve disciples and Paul) in verse and image in the late antique Greco-Roman world (250-400). Especially in the West, the apostles are omnipresent, in particular on sarcophagi and in Biblical and martyr poetry. They primarily function as witnesses of Christ’s stay on earth, but Peter and Paul are also popular saints of their own. Occasionally, the other apostles come to the fore as individual figures. Direct influence from art on poetry or vice versa appears to be difficult to trace, but principal developments of late antique society are reflected in the representation of the apostles in both media.
Surveying the content and character of early Christian iconography from the third to the sixth century CE, this substantially revised and updated new edition of Understanding Early Christian Art makes the critical tools of art historians accessible to students. It opens by discussing a series of questions pertaining to the evidence itself and how scholars through the centuries have regarded this material as expressing and transmitting aspects of the developing faith and practice of early adherents of Christianity. It considers possible sources for the various motifs and the complex relationship between words and images, as well as the importance of studying visual and material culture alongs...
This book focuses on apse mosaics in Rome and engages topics including time, intercession, materiality, repetition, and vision.
A clear, accessible guide to reading and understanding the Talmud. This book offers a unique introduction to the study of the Talmud and suggest ways to apply its messages and values to contemporary life. Imaginatively conceived, this volume is recommended for both individuals and group study sessions.
The book traces nearly two thousand years of architectural transformations to St Paul's Basilica, one of Rome's principal churches.