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Ten women artists, counterparts of the Group of Seven, are finally being given their due. Long overlooked by critics and historians, they are today amongst the most sought after Canadian painters. The Beaver Hall women ventured into a male-dominated art world, lived remarkable lives, and produced exceptional work. The Women of Beaver Hall portrays the lives and works of Nora Collyer, Emily Coonan, Prudence Heward, Mabel Lockerby, Henrietta Mabel May, Kathleen Moir Morris, Lilias Torrance Newton, Sarah Robertson, Anne Savage, and Ethel Seath. Long-lost catalogues, old newspaper reviews, and personal papers document their story, and more than 65 colour plates bring to light their paintings, some of which have lain hidden for more than fifty years. With a clear and concise style directed to the aficionado and scholar alike, this book is the ultimate reference on the Beaver Hall women.
The first collection of scholarly essays on women and art in Canadian history.
Despite acute labour shortages during the Second World War, Canadian employers—with the complicity of state officials—discriminated against workers of African, Asian, and Eastern and Southern European origin, excluding them from both white collar and skilled jobs. Jobs and Justice argues that, while the war intensified hostility and suspicion toward minority workers, the urgent need for their contributions and the egalitarian rhetoric used to mobilize the war effort also created an opportunity for minority activists and their English Canadian allies to challenge discrimination. Juxtaposing a discussion of state policy with ideas of race and citizenship in Canadian civil society, Carmela K. Patrias shows how minority activists were able to bring national attention to racist employment discrimination and obtain official condemnation of such discrimination. Extensively researched and engagingly written, Jobs and Justice offers a new perspective on the Second World War, the racist dimensions of state policy, and the origins of human rights campaigns in Canada.
Willmott (English, Queen's U., Canada) has undertaken a study of modern English-language Canadian novels, breaking them down into unifying components to allow their consideration as a distinct literary genre. Among the authors whose novels are discussed are Bertram Brooker, Sinclair Ross, Frederick Philip Grove, Martha Ostenso, Ethel Wilson, Thomas Raddall, Ernest Buckler, and Alice Jones. Themes include the nation as youth, post-colonialism, post- modernism, imperialist ideology, and economic class distinctions. Annotation copyrighted by Book News, Inc., Portland, OR
A founding member of the Group of Seven, Jackson portrayed the Canadian landscape in a bold and inventive manner, illustrating a key chapter in Canadas coming of age.
Published in 1998, Ladies in the Laboratory provided a systematic survey and comparison of the work of 19th-century American and British women in scientific research. A companion volume, published in 2004, focused on women scientists from Western Europe. In this third volume, author Mary R.S. Creese expands her scope to include the contributions of 19th- and early 20th-century women of South Africa, Australia, New Zealand, and Canada. The women whose lives and work are discussed here range from natural history collectors and scientific illustrators of the early and mid years of the 19th century to the first generation of graduates of the new colonial colleges and universities. Rarely acknowl...
An exploration of the lives and works of the members of the Beaver Hall Group. Founded in 1920, the group was in the vanguard of bringing Modernism to Canada and is notable for its inclusion of women who now rank among the country’s most outstanding painters.
This book addresses the status of Canadian women in the sciences from a historical and contemporary perspective. Essays on women in medicine, sociology, pharmacy and the natural sciences provide insights about these pioneer women scientists. Contemporary concerns are examined, such as the career goals of female science students, gender separatism, and feminist research into genetic hazards in the workplace.
As intellectual engines of the university, professors hold considerable authority and play an important role in society. By nature of their occupation, they are agents of intellectual culture in Canada. Historical Identities is a new collection of essays examining the history of the professoriate in Canada. Framing the volume with the question, 'What was it like to be a professor?' editors Paul Stortz and E. Lisa Panayotidis, along with an esteemed group of Canadian historians, strive to uncover and analyze variables and contexts - such as background, education, economics, politics, gender, and ethnicity - in the lives of academics throughout Canada's history. The contributors take an in-dep...