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Volume 2. This volume contains letters written from December 21, 1877, to September 29, 1878, when, having settled comfortably into London life, James finished preparing the foundation for the career that would define his reputation as a critic and fiction writer. During this time James published "Daisy Miller" and "The Europeans" as well as other fiction, reviews, and cultural criticism.
The Gothic has come a long way from the romantic quest for the imaginary. The gothic has proved to be an extremely enduing genre that has manifested itself in various forms in the cultural, literary, political, ecological and historical aspects of human existence. This anthology takes up various aspects of the Gothic ranging from ghost stories in literature and films to folklore and mythology to cultural horror, to showcase how Gothic is part of an omnipresent power structure that shapes the socio-cultural and psychological metanarrative that governs human ontology.
The Complete Letters of Henry James fills a crucial gap in modern literary studies by presenting in a scholarly edition the complete letters of one of the great novelists and letter writers of the English language. Comprising more than ten thousand letters reflecting on a remarkably wide range of topics—from James's own life and literary projects to broader questions on art, literature, and criticism—this edition is an indispensable resource for students of James and of American and English literature, culture, and criticism as well as for research libraries throughout North America and Europe and for scholars who specialize in James, the European novel, and modern literature. Pierre A. Walker and Greg W. Zacharias have conceived this edition according to the exacting standards of the Committee on Scholarly Editions. This volume is the first of three to include James's letters from 1872 to 1876.
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This collection of horror stories includes selections from the late 18th century to the early 20th century and presents a literary evolution of the vampire. This volume includes: �Christabel� by Samuel Taylor Coleridge �A Fragment� by George Gordon, Lord Byron �The Vampyre� by John William Polidori �Wake Not the Dead� by Johann Ludwig Tieck �Clarimonde� by ThZophile Gautier �The Mysterious Stranger� by Karl von Wachsmann �The Last Lords of Gardonal� by William Gilbert �Carmilla� by J. Sheridan LeFanu �Let Loose� by Mary Cholmondeley �A Mystery of the Campagna� by Baroness Anne Crawford von Rabe �The Vampire Maid� by Hume Nisbet �Luella Miller� by Mary Eleanor Wilkins Freeman �The Tomb of Sarah� by F. G. Loring �The Transfer� by Algernon Blackwood �Dracula�s Guest� by Bram Stoker �Mrs. Amworth� by E. F. Benson �The Adventure of the Sussex Vampire� by Arthur Conan Doyle
A masterful collection of horror fiction by widely acclaimed authors whose contributions to the genre have been lost in the shadow of Poe, by one of America's foremost anthologists. Edgar Allan Poe did not invent the tale of terror. There were American, English, and Continental writers who preceded Poe and influenced his work. Similarly, there were many who were in turn influenced by Poe’s genius and produced their own popular tales of supernatural literature. This collection features masterful tales of terror by authors who, by and large, are little-remembered for their writing in this genre. Even Bram Stoker, whose Dracula may be said to be the most popular horror novel of all time, is n...
Even in the twenty-first century, the undead walk among us... Before Twilight and True Blood, vampires haunted the nineteenth century, when brilliant writers indulged their bloodthirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula. Acclaimed author and anthologist Michael Sims brings together the finest vampire stories of the Victorian era in a unique collection that highlights their cultural variety. Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Aleksei Tolstoy's tale of a vampire family to Fitz James O'Brien's invisible monster to Mary Elizabeth Braddon's rich and sinister widow, Good Lady Ducayne. Sims also includes a nineteenth-century travel tour of Transylvanian superstitions, and finishes the collection with Stoker's own Dracula's Guest - a chapter omitted from his landmark novel. Vampires captivated Victorian society, and these wonderful stories demonstrate how Romantic and Victorian writers refined the raw ore of peasant superstition into a whole vampire mythology of aristocratic decadence and innocence betrayed.
The adventurous hero Indiana Jones makes his long-awaited return to theaters this summer! Filled with the intrigue and drama characteristic of all the classic Indiana Jones films, the fourth release is all brought to life by an incredible soundtrack. Selections from Indiana Jones and the Kingdom of the Crystal Skull features popular music from the film, as composed by Academy Award winner John Williams, plus 8 pages of color artwork straight from the movie. This book is part of an instrumental series arranged for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Horn in F, and Trombone. The arrangements are completely compatible with each other and can be played together as solos. Each book contains a carefully edited part that is appropriate for the Level 2–3 player, and a fully orchestrated accompaniment CD. The CD includes a demo track of each song, which features a live instrumental performance, followed by a play-along track. A piano accompaniment book (optional) is also available. It includes a CD that features various instrument demo tracks from the series. Titles include: *Raiders March* *The Adventures of Mutt* *The Journey to Akator* *Marion’s Theme* *Irina’s Theme*