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The Castle Spectre was first performed at Drury Lane Theatre in London in 1797 and quickly became a dramatic standard during the late 18th and early 19th centuries. Lewis' Gothic play was one of the first to combine the action on stage with both music and special effects in order to evoke an emotional overload from theatre-goers. It was quite common, according to contemporary accounts, for members of the audience to pass out from fright during performances of The Castle Spectre. The Playwright, Matthew Lewis, was one of the originators of early Literary Gothic with his novel, The Monk. This edition includes the text of the original five-act play, a condensed three-act version, biographies of the original performers, newspaper adverts, contemporary reviews and critiques, the original musical score, and a critical introduction.
Originally publish in 1900, this collection of short stories has been called the essence of Scottish fiction by some, and simply weird stories by others. This volume includes "No-Man's Land," "The Far Islands," "The Watcher by The Threshold," "The Outgoing of The Tide," "The Rime of True Thomas," "Basilissa," "Divus Johnston," and "The King of Ypres."
Chesnutt's novel, originally published in 1901, depicts the rise of the white supremacist movement after the failure of southern Reconstruction and led to the bloody tragedy of the Wilmington race riots.
This book explores how Romanticism was shaped by practices of popular magic. It seeks to identify the place of occult activity and culture – in the form of curses, spells, future-telling, charms and protective talismans – in everyday life, together with the ways in which such practice figures, and is refigured, in literary and political discourse at a time of revolutionary upheaval. What emerges is a new perspective on literature’s material contexts in the 1790s – from the rhetorical, linguistic and visual jugglery of the revolution controversy, to John Thelwall’s occult turn during a period of autobiographical self-reinvention at the end of the decade. From Wordsworth’s deployment of popular magic as a socially and politically emancipatory agent in Lyrical Ballads, to Coleridge’s anxious engagement with superstition as a despotic system of ‘mental enslavement’, and Robert Southey’s wrestling with an (increasingly alluring) conservatism he associated with a reliance on ultimately incarcerating systems of superstition.
Ned Buntline was the pseudonym of the American publisher, journalist, and writer, Edward Zane Carroll Judson Sr., who was an instigator of the Astor Place Riot, the nativist riot in St. Louis, and vocal member of the Know Nothing Party. Published in 1847, during the midst of the U.S.-Mexican war, as one critic argued, the author used "the conventions of romance to turn the invasion of Mexico into a chivalric U.S. rescue mission." This novel highlights the politics and growth of nineteenth-century American imperialism and anti-immigration sentiment.
Critics called her a mystic and an anti-intellectual. They accused her of male-bashing and discounted her work as trite. The critics couldn't, however, explain her popularity. Corelli's novels were continually among the top best selling books at the turn of the twentieth century, making her one of the most recognizable authors of the time. Her portrayals of social gender roles provides an important insight into Victorian Feminism.
This study breaks new ground surveying the origins of the Gothic chapbook, its publishers and authors, in order to establish conclusively the impact these pamphlets had on the development of the Gothic genre. Considered the illegitimate offspring of the Gothic novel, the lowly chapbook flooded the market in the late eighteenth century, creating a separate and distinct secondary market for tales of terror. The trade was driven by a handful of individuals who were booksellers and dealers, circulating library proprietors, stationers, and small publishers – what they produced were more than four hundred chapbooks, bluebooks and shilling shockers containing Gothic tales from magazines, redactions of popular novels, extractions of entire inset tales, and original tales of terror. This book responds to the urgent and pressing need to contextualise the Gothic chapbook in ascertaining a more concise and comprehensive view of the entire Gothic genre.
Originally published in 1860 by Irwin Beadle, Ellis' work sold over half million copies and was translated into eleven languages. The story of the frontiersman, Seth Jones, pitted against the dangers of the wild and untamed West established the dime novel as both popular and profitable.
Ebenezer Sibly was a quack doctor, plagiarist, and masonic ritualist in late eighteenth-century London; his brother Manoah was a respectable accountant and pastor who ministered to his congregation without pay for fifty years. Drawing on such sources as ratebooks and pollbooks, personal letters and published sermons, burial registers and horoscopes, Susan Sommers has woven together an engaging microhistory that offers useful revisions to existing scholarly accounts of brothers Ebenezer and Manoah, while locating the entire Sibly family in the esoteric byways of the eighteenth and early nineteenth centuries.