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'City of Bohane' is a visionary novel that blends influences from film and the graphic novel, from Trojan beats and calypso rhythms, from Celtic myth and legend, from fado and the sagas, and from all the great inheritance of Irish literature.
An expert on business strategy offers a pragmatic take on how businesses of all sizes balance the competing demands of profitability and employment with sustainability. The demands and stresses on companies only grow as executives face a multitude of competing business goals. Their stakeholders are interested in corporate profits, jobs, business growth, and environmental sustainability. In this book, business strategy expert Yossi Sheffi offers a pragmatic take on how businesses of all sizes—from Coca Cola and Siemens to Dr. Bronner's Magical Soaps and Patagonia—navigate these competing goals. Drawing on extensive interviews with more than 250 executives, Sheffi examines the challenges, ...
Introduction: The Machine with a Soul -- 1. The Good Adventure: Fascist Squads in a War-Weary World -- 2. Mystic in a Morning Coat: Americans' Mussolini in the 1920s -- 3. The Dream Machine: The Fascist State in an Era of Democratic Disillusionment -- 4. Man as the Measure of All Things: Sympathizing with Fascism in the Early Depression Years -- 5. The Garden of Fascism: Beauty, Transcendence, and Peace in an Era of Uncertainty -- Conclusion: Searching for Soul under the Sign of the Machine.
Christians and Jews share in the heritage of the Hebrew Scriptures. Those outside the Jewish community, however, may be less aware of the rest of Judaism -- its four thousand year history, its beliefs and values, the synagogue liturgy and the way that Sabbaths, holidays and life cycle events are observed by practicing Jews. This book provides an insightful overview of this, in addition to chapters that cover Jewish dietary laws, the Jewish perspective on the role and status of women, modern medical ethics and the differences that distinguish Judaism from other monotheistic faiths.
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LONGLISTED FOR THE BOOKER PRIZE IRISH TIMES NUMBER ONE BESTSELLER SHORTLISTED FOR IRISH BOOK AWARDS NOVEL OF THE YEAR A BOOK OF THE YEAR IN THE NEW YORK TIMES, NEW STATESMAN, TIMES LITERARY SUPPLEMENT, BIG ISSUE, i, THE ATLANTIC and LITERARY HUB 'A true wonder' Max Porter 'Beautifully written’ Guardian It’s late one night at the Spanish port of Algeciras and two fading Irish gangsters are waiting on the boat from Tangier. A lover has been lost, a daughter has gone missing, their world has come asunder – can it be put together again?
This collection of analytical essays is the result of several conferences throughout 1991, the centennary of Herman Melville's death. They survey the past and present of Melville Studies and suggest directions for the future.
While much has been written in recent years on death and dying, there has been little treatment of how people cope with death in the absence of religious belief, and virtually no examination of the potential political repercussions of a wider acceptance of mortality in American society. Alfred Killilea's strikingly original book revolves around a central irony: though the subject of death has been largely shunned in American culture lest it rob life of meaning and contentment, confronting death may be crucial to enable us as individuals and as a society to affirm life, even to survive, in this nuclear age. Killilea argues that the denial of death has fostered a disavowal of limits in general...
In this book Peter J. Bellis aims to show how Melville's career is shaped by his desire to define and represent the self, to find a secure identity on which to base personal and social relations. Using Typee, Pierre, White-Jacket, Redburn, Billy Budd, and Moby-Dick as models, Bellis isolates three forms of selfhood—the integrity of the physical body, the son's genealogical link to his father, and the coherence of an autobiographical text—that Melville explores throughout his work. He shows how, as Melville texts each of these, his work becomes increasingly self-reflexive and self-critical; his search for an absolute ground for both self and text ends by undermining the very authority it would establish. In this Melville differed markedly from Whitman and Thoreau, who did find or create identities for themselves in their writing. Bellis examines Melville's last novel, The Confidence-Man, to show his method as ultimately deconstructive—culminating, in fact, in the abandonment of Melville's own career as a novelist.