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Cork's Revolutionary Dead
In Part 1 Keane gives a brief introduction to the period and outlines the most important events that took place during the course of the fight against the British in Cork from 1916 to 1921 and during the Civil War of 1922–23. This includes the burning of Cork city, the ambush at Kilmichael (which is examined in great detail), Crossbarry and the story of Tom Barry's trench coat. In Part 2 Keane uses a wealth of new sources to reconstruct every death that can be ascribed to the war, including those caught in the crossfire and some accidental deaths that can be directly linked to one side or the other. Some individuals who did not die in the county, but who were central to the conduct of the war there, are also included. One such example is Terence MacSwiney, who died in Brixton prison in London in October 1920, but was both head of the IRA in Cork and lord mayor of the city, having assumed the role after his predecessor, Tomás MacCurtain, had been assassinated earlier that year.
Massacre in West Cork: The Dunmanway and Ballygroman Killings
The deaths in and around Dunmanway in 1922 have always been shrouded in rumour and supposition. This book seeks to get to the bottom of them. One thing is certain: Captain Herbert Woods shot Commandant Michael O'Neill of the IRA on the stairs of Ballygroman House at 2.30a.m. on the 26th April and killed him. Who was Herbert Woods and why did shoot an unarmed man? Who was Michael O'Neill and what was he doing inside the house at that hour of the morning? What connection had this event to the killing of ten Protestants in West Cork over the next three nights? Are they connected with the killing of four British soldiers in Macroom on the same day? What was the effect on the local Protestant minority? What happened after Herbert Woods and his Hornibrook relations were arrested by the Irish Republican Police and disappeared? This book attempts to answer all these questions. Using previously overlooked evidence it proves that the real story is a simple one of revenge. It directly challenges claims of sectarianism and British involvement presenting a true story of these appalling events.
Keane: Origins
Pick your favourite Roy Keane moment. The header against Juventus? The tunnel clash with Patrick Vieira? The bone-crunching challenge on Marc Overmars at Lansdowne Road? All worthy choices that complement his aggressive, combative warrior persona. But that was Version 2.0. Keane: Origins delves into the inexplicable story of what came before. Focusing on the period between 1988 and 1993, charting Keane's journey from an economically-ravaged Cork to a spectacular three-season spell under Brian Clough at Nottingham Forest via a memorable stint on a government-funded training scheme and brief spell in the League of Ireland. With contributions from former team-mates, coaches and those who knew him best, Keane: Origins examines a largely over-looked, under-appreciated and unheralded time in the legendary midfielder's career that set him on the path to immortality.
Edinburgh's Festivals
In August 1947, an émigré Austrian opera impresario launched the Edinburgh International Festival of Music and Drama to heal the scars of the Second World War through a celebration of the arts. At the same time, a socialist theatre group from Glasgow and other amateur companies protested their exclusion from the festival by performing anyway, inventing the concept of 'fringe' theatre. Now the annual celebration known collectively as the Edinburgh Festival is the largest arts festival in the world, incorporating events dedicated to theatre, film, art, literature, comedy, dance, jazz and even military pageantry. It has launched careers – from Peter Cook and Dudley Moore in Beyond the Fringe to Phoebe Waller-Bridge with Fleabag – mirrored the political and social mood of its times, shaped the city of Edinburgh around it and welcomed a huge all-star cast, including Orson Welles, Grace Kelly, Yehudi Menuhin and Mark E Smith's The Fall and many many more. This is its story.
Southern Irish Loyalism, 1912-1949
This book brings together new research on loyalism in the 26 counties that would become the Irish Free State. It covers a range of topics and experiences, including the Third Home Rule crisis in 1912, the revolutionary period, partition, independence and Irish participation in the British armed and colonial service up to the declaration of the Republic in 1949. The essays gathered here examine who southern Irish loyalists were, what loyalism meant to them, how they expressed their loyalism, their responses to Irish independence and their experiences afterwards. The collection offers fresh insights and new perspectives on the Irish Revolution and the early years of southern independence, base...
Poland
Since its beginnings, Poland has been a moving target, geographically as well as demographically, and the very definition of who is a Pole has been in flux. In the late medieval and early modern periods, the country grew to be the largest in continental Europe, only to be later wiped off the map for more than a century. The Polish phoenix that rose out of the ashes of World War I was obliterated by the joint Nazi-Soviet occupation that began with World War II. The postwar entity known as Poland was shaped and controlled by the Soviet Union. Yet even under these constraints, Poles persisted in their desire to wrest from their oppressors a modicum of national dignity and, ultimately, managed t...
Self-Commentary in Early Modern European Literature, 1400–1700
This volume investigates the various ways in which writers comment on, present, and defend their own works, and at the same time themselves, across early modern Europe. A multiplicity of self-commenting modes, ranging from annotations to explicatory prose to prefaces to separate critical texts and exemplifying a variety of literary genres, are subjected to analysis. Self-commentaries are more than just an external apparatus: they direct and control reception of the primary text, thus affecting notions of authorship and readership. With the writer understood as a potentially very influential and often tendentious interpreter of their own work, the essays in this collection offer new perspectives on pre-modern and modern forms of critical self-consciousness, self-representation, and self-validation. Contributors are Harriet Archer, Gilles Bertheau, Carlo Caruso, Jeroen De Keyser, Russell Ganim, Joseph Harris, Ian Johnson, Richard Maber, Martin McLaughlin, John O’Brien, Magdalena Ożarska, Federica Pich, Brian Richardson, Els Stronks, and Colin Thompson.
Crime, Violence, and the Irish in the Nineteenth Century
A collection of essays, based on original research delivered at one of the Society for the Study of Nineteenth-Century Ireland's recent annual conferences.--Back book cover.
