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This 1996 book uses a local study to explore some of the more significant societal changes of the modern western world.
Explores the important aspects of popular cultures during the period 1550 to 1750. Barry Reay investigates the dominant beliefs and attitudes across all levels of society as well as looking at different age, gender and religious groups.
Rural Englands is the first general history of nineteenth-century English rural workers. Barry Reay provides a fresh perspective on England's rural past, reintroducing those often excluded from more traditional historical approaches, and stressing the diversity of working communities and the dynamism of rural life. Reay challenges stereotypes of country living, arguing that the extent of localization is so compelling that, instead of thinking of a unitary notion of 'rural England', we must think in terms of 'rural Englands'. Incorporating a wide range of source material, Reay examines and explores both representations and experiences of rural labour, including: - varieties of settlement and landscape - types of work carried out by men, women and children - household survival strategies - experiences of life and death - leisure patterns - repertoires of protest - visual imagery - literary representations.
The Hernhill Rising of 1838 was the last battle fought on English soil, the last revolt against the New Poor Law, and England's millenarian rising. Fought in a corner of rural Kent, it was also the last rising of the agricultural laborers. In this comprehensive analysis, Reay draws on intensive research in local archives to provide a critical study of the background of the rising and its social context. He presents a unique casestudy of popular mobilization in nineteenth-century England, producing a vivid portrait of the daily existence of the farm laborer and life in the village. Exploring the wider context of agrarian relations, rural reform, protest, and control, this study will be of special interest to students and scholars of modern British history and social, agrarian, and local historians.
Rural Englands is the first general history of nineteenth-century English rural workers. Barry Reay provides a fresh perspective on England's rural past, reintroducing those often excluded from more traditional historical approaches, and stressing the diversity of working communities and the dynamism of rural life. Reay challenges stereotypes of country living, arguing that the extent of localization is so compelling that, instead of thinking of a unitary notion of 'rural England', we must think in terms of 'rural Englands'. Incorporating a wide range of source material, Reay examines and explores both representations and experiences of rural labour, including: - Varieties of settlement and landscape - Types of work carried out by men, women and children - Household survival strategies - Experiences of life and death - Leisure patterns - Repertoires of protest - Visual imagery - Literary representations.
This important new book, which focuses on the 1940s, 1950s and 1960s, but which looks back to the earlier decades of the century and has a conclusion dealing with the 1970s to 1990s, maps the world of those known as "trade" -- ostensibly straight men who would engage in homosexual sex -- and hustlers -- those who were paid for it. It was a milieu that was central to the sexual histories of several generations of twentieth-century American men and also influenced American literary and visual culture; the "trade aesthetic" informed the work of a variety of artists, filmmakers, and writers. This sexual culture, though compelling in itself, also allows us to explore some key aspects of modern sexual history. This pioneering work, which draws on a wide range of visual and literary sources, including previously unpublished material from the Kinsey archives, will appeal to a wide range of readers, especially those interested in the histories of sex, the city, masculinity, and American culture.
The concept of sex addiction took hold in the 1980s as a product of cultural anxiety. Yet, despite being essentially mythical, sex addiction has to be taken seriously as a phenomenon. Its success as a purported malady lay with its medicalization, both as a self-help movement in terms of self-diagnosis, and as a rapidly growing industry of therapists treating the new disease. The media played a role in its history, first with TV, the tabloids and the case histories of claimed celebrity victims all helping to popularize the concept, and then with the impact of the Internet. This book is a critical history of an archetypically modern sexual syndrome. Reay, Attwood and Gooder argue that this str...
Sexuality in modern western culture is central to identity but the tendency to define by sexuality does not apply to the premodern past. Before the 'invention' of sexuality, erotic acts and desires were comprehended as species of sin, expressions of idealised love, courtship, and marriage, or components of intimacies between men or women, not as outworkings of an innermost self. With a focus on c. 1100–c. 1800, this book explores the shifting meanings, languages, and practices of western sex. It is the first study to combine the medieval and early modern to rethink this time of sex before sexuality, where same-sex and opposite-sex desire and eroticism bore but faint traces of what moderns ...
Arthur Munby (1828-1910) was a Victorian gentleman from a respected family of Yorkshire lawyers. He left behind diaries that record his life-long obsession with working-class Victorian women, whom he interviewed, photographed and wrote about. This obsession led to his relationship with, and eventual secret marriage to, his maidservant Hannah Cullwick. Working women fascinated Munby because they disrupted his Victorian ideal of femininity: their bodies were altered by physical exertion and dirt, and they were also often deformed by disease. Drawing not only on the diaries but also on a vast, untapped archive of documents, photographs, poems and sketches, Watching Hannah is far more than an account of a compulsive observer of working women and a fetishist of hard-working female hands, however. The author analyzes Munby's obsessions in relation to changing definitions of gender, sexual identity and class to reveal wider male preoccupations with femininity, the body, deformity, masculinity and - most of all - sexuality, at a pivotal point in European history.