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Divided into three sections, this work explores a range of interpretive strategies applied to readings of "Jane Eyre". The last section includes essays that frame the historical and social contexts out of which "Jane Eyre" arose, and investigate the critical reception and afterlife of the text." - publisher.
George Eliot’s Middlemarch (1871-72) is one of the classic novels of English literature and was admired by Virginia Woolf as “one of the few English novels written for grown-up people.” The complex main plot and many subplots revolve around Dorothea Brooke, an ardent young woman, and her relationship to three men: Casaubon, a clergyman and scholar twice her age; Lydgate, an ambitious young doctor who shares Dorothea’s enthusiasm for reform but whose flaws compromise his ambitions; and Will Ladislaw, a young man of mysterious origins, romantic temperament, and artistic inclinations. A female Bildungsroman and a study of character and society in the realistic mode pioneered by Balzac, Middlemarch is also an historical novel that offers a panorama of English society in an era of social reform and political agitation. This Broadview edition includes a critical introduction and a rich selection of contextual materials, including contemporary reviews of the novel, other writings by George Eliot (essays, reviews, and criticism), and historical documents pertaining to medical reform, religious freedom, and the advent of the railroads.
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Placing the works of Charles Dickens and Walter Benjamin in conversation with one another, Gillian Piggott argues that the two writers display a shared vision of modernity. Her analysis of their works shows that both writers demonstrate a decreased confidence in the capacity to experience truth or religious meaning in an increasingly materialist world and that both occupy similar positions towards urban modernity and its effect upon experience. Piggott juxtaposes her exploration of Benjamin's ideas on allegory and messianism with an examination of Dickens's The Old Curiosity Shop, arguing that both writers proffer a melancholy vision of a world devoid of space and time for religious experien...
The past generation has been an extraordinarily active one in medieval drama scholarship; our appreciation of the range of medieval drama has been significantly broadened, and our understanding of certain medieval genres—most notably, biblical drama—has been fundamentally altered. The Broadview Anthology of British Literature has been widely praised for the degree to which it has taken this scholarship into account in its selection of and presentation of medieval plays. Now Broadview launches a new anthology that takes those plays as its base while expanding very substantially beyond them to represent the full range of drama in English (and, where strong connections exist, in French, Latin, Cornish, and Welsh as well) through to 1576. In all, over forty plays are included. Each work has been fully annotated and is prefaced by a substantial introduction. In many cases the language is to some extent modernized in order to make the plays more accessible to readers today.
"A critical edition of A Warning for Fair Women introduces new audiences to an important but neglected work of Elizabethan drama"--
"This book is an accessible discussion of humility for a general audience that aims to recover a lost virtue and to offer humility as a way forward for our divided society. It's a cultural history-the biography of an idea. Recovering humility might serve as an alternative to the diseases of hubris, arrogance, and narcissism that have infected us. The frightening alternative to a life of humility has been the death of civility. History demonstrates that when the virtue of humility is cast aside, hubris follows. This book explores treatments of humility in Greco-Roman history, philosophy, and literature; ancient and medieval Jewish, Christian, and Muslim scriptures and sermons; and Enlightenment and contemporary discussions on education in virtue and citizenship"--