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"Avital Ronell has put together what must be one of the most remarkable critical oeuvres of our era... Zeugmatically yoking the slang of pop culture with philosophical analysis, forcing the confrontation of high literature and technology or drug culture, Avital Ronell produces sentences that startle, irritate, illuminate. At once hilarious and refractory, her books are like no others.”--Jonathan Culler, Diacritics For twenty years Avital Ronell has stood at the forefront of the confrontation between literary study and European philosophy. She has tirelessly investigated the impact of technology on thinking and writing, with groundbreaking work on Heidegger, dependency and drug rhetoric, in...
"Avital Ronell's work studies the fading empire of cognition, modulating stupidity into idiocy, puerility, and the figure of the ridiculous philosopher instituted by Kant. Investigating ignorance, dumbfoundedness, and the limits of reason, Stupidity probes the pervasive practice of theory-bashing and related forms of paranoid aggression. A section on prolonged and debilitating illness pushes the text to an edge of a corporeal hermeneutics, "at the limits of what the body knows and tells.""--BOOK JACKET.
Complex Pleasure deals with questions of literary feeling in eight major German writersLessing, Kant, Hölderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin. On the basis of close readings of these authors Stanley Corngold makes vivid the following ideas: that where there is literature there is complex pleasure; that this pleasure is complex because it involves the impression of a disclosure; that this thought is foremost in the minds of a number of canonical writers; that important literary works in the German traditionfiction, poetry, critiquecan be illuminated through their treatment of literary feeling; and, finally, that the conceptual terms for these forms of feeling continuall...
Unique cross-cultural and multimedial approach to class identity and precarity in literature, theatre, and film Contemporary culture not merely reflects ongoing societal transformations, it shapes our understanding of rapidly evolving class realities. Literature, theatre, and film urge us to put the question of class back on the agenda, and reconceptualize it through the lens of precarity and intersectionality. Relying on examples from British, French, Spanish, German, American, Swedish and Taiwanese culture, the contributors to this book document a variety of aesthetic strategies in an interdisciplinary dialogue with sociology and political theory. Doing so, this volume demonstrates the myriad ways in which culture opens up new pathways to imagine and re-imagine class as an economic relation, an identity category, and a subjective experience. Situated firmly within current debates about the impact of social mobility, precarious work, intersectional structures of exploitation, and interspecies vulnerability, this volume offers a wide-ranging panorama of contemporary class imaginaries.
Ghosts have made an unexpected reappearance in German literature since 1989. Catherine Smale reads this as symptomatic of writers' attempts to renegotiate their personal and collective identity in the wake of German reunification. Focusing on two major authors from the former GDR, Christa Wolf and Irina Liebmann, Smale examines the ways in which their work adopts notions of haunting in its creative engagement with the double legacy of Socialism and National Socialism. The ghost has long been regarded as a vehicle for making manifest taboo or unauthorized memories. However, Smale goes further, demonstrating how the human subject is destabilized by the return of the phantom and is itself rendered insecure and spectral. Drawing on a wide range of theoretical reference, from the psychoanalytic concept of intergenerational phantoms to Derridean hauntology, Smale's study highlights the particular challenge which Wolf and Liebmann pose to the familiar understanding of how German writers have confronted their country's troublesome past.Catherine Smale is Lecturer in German at King's College London.
This volume marks the birth centenary of a giant amongst contemporary writers: the Australian Nobel prize-winning novelist, Patrick White (1912–1990). It proffers an invaluable insight into the current state of White studies through commentaries drawn from an international galaxy of eminent critics, as well as from newer talents. The book proves that interest in White’s work continues to grow and diversify. Every essay offers a new insight: some are re-evaluations by seasoned critics who revise earlier positions significantly; others admit new light onto what has seemed like well-trodden terrain or focus on works perhaps undervalued in the past—his poetry, an early short story or novel...
This reader brings together a representative collection of Mieke Bal's work that distills her broad interests and areas of expertise. It is organised into four parts, reflecting the fields that Bal has most profoundly influenced: literary study, interdisciplinary methodology, visual analysis, and postmodern theology.
Friedrich Schleiermacher’s Platons Werke (1804–28) changed how we understand Plato. His translation of Plato’s dialogues remained the authoritative one in the German-speaking world for two hundred years, but it was his interpretation of Plato and the Platonic corpus, set forth in his Introductions to the dialogues, that proved so revolutionary for classicists and philosophers worldwide. Schleiermacher created a Platonic question for the modern world. Yet, in Schleiermacher studies, surprisingly little is known about Schleiermacher’s deep engagement with Plato. Schleiermacher’s Plato is the first book-length study of the topic. It addresses two basic questions: How did Schleiermache...
Examines allegory in Hölderlin's later work, exploring subjects such as Freud and Derrida's views of mourning, and offering original readings of works including Impossible Ode, Mnemosyne, and The Churchyard .
Have you ever felt alone, facing the challenges life presents? Have you ever felt like you were parachuted onto an unpredictable path of leadership, with no road map? Then join us! Mirrored Reflections arose from the alienating experiences of a group of evangelical Christian women leaders known as AAWOL (Asian American Women On Leadership), who formed a community with the motto "Never Alone Again." Reflecting on how the stories of select biblical characters mirror their own stories, AAWOL core sisters reframe these biblical stories through a Yinist lens and envision fresh, powerful leadership principles. Reflection questions at the end of each chapter guide readers to discover and articulate their own stories and imagine how their own parallel those of the biblical characters. Read and be nourished, finding mirrored reflections of your own broken or unvoiced story--both female and male--and enjoy the redemptive nature of the stories' multivocality.