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Avant-garde poetry in the Antipodes causes all sorts of trouble for literary history. It is an avant-garde that seems to arrive too late and yet right on time. In 1897, Christopher Brennan made his own version of Un Coup de Des, the same year Mallarme published it in Cosmopolis. In the 1940s, the same period avant-gardism was declared dead or fatally injured due to the Ern Malley affair, Harry Hooton began writing a significant body of experimental poetry. From the 1950s to the 1970s, Australian Dada emerged 'belatedly' through figures like Jas H. Duke (Tristan Tzara had previously sung Aboriginal songs at the Cabaret Voltaire in 1916). First Nations and Migrant poets then began reinventing avant-garde poetry in the twentieth and early twenty-first centuries. This book maintains that such a confounding literary history poses a distinct challenge to the theories of the avant-gardes we have become accustomed to and changes our perspective of avant-garde time.
Review text: "Denckers Bestandsaufnahme ist eine Pionierleistung, ein Muss für innovationsnarzisstische Autoren und Künstler, die staunen werden, was alles bereits nicht von ihnen erfunden wurde, ein Muss auch für alle geistigen Anstalten zur orientierenden Entrümpelung. Dem um eine sachdienliche Bibliographie erweiterten Referenzwerk ist zu wünschen, dass es bald schon heißt: "Schlag nach bei Dencker.?"Michael Lentz in: Frankfurter Allgemeine Zeitung, 27. März 2012.
Book art object is a record of the first biennial Codex Book Fair and Symposium: The Fate of the Art,Berkeley, California, 2007. The event showcased contemporary artist books and fine press and fine art editions produced by some of the worlds most esteemed printers, designers, book artists, and artisans.The book includes transcripts of the following lectures: Sarah Bodman, Research Fellow, Centre for Fine Print Research, UWE, Bristol: The hybrid lexicon: an overview of contemporary artists publishing in the UK; Robert Bringhurst, poet, translator, and typographer: Spiritual geometry: the book as a work of art; and Felipe Ehrenberg, artist, Mexican diplomat, former publisher of the Beau Geste Press, London: Cutting and pasting: metaphor of life. The volume is superbly illustrated in full color throughout.
• Cutting-edge idea! • Titles on altered books are topping sales charts • Packed with valuable artists’ resources—galleries, bookstores, Web sites, book fairs, exhibitions Famous artists from David Hockney and Andy Warhol to Gilbert and George have created their own books—distinctive bound collections of work, sometimes variations on the popular altered-book craze. Now any artist can follow in the booksteps of these well-known muses, with the help ofCreating Artists’ Books. Author Sarah Bodman, an expert on artists’ books, gives wonderful inspiration and practical guidance on printmaking processes for making books, digital output and computer-based books, assembling books with limited resources, and creating altered books. An invaluable appendix lists bookstores and galleries that sell and exhibit artists’ book; book arts collections, archives, and organizations; book fairs; related Web sites; and more.Creating Artists’ Booksis packed with ideas, inspiration, and information from cover to cover.