Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Satyajit Ray : The Man Who Knew Too Much
Satyajit Ray’s Seemabaddha (1971), a stinging indictment of the corporate rat race, remains one of the iconic film-maker’s most feted works. It starred debutant Barun Chanda, who won a special prize for his performance. Now, fifty years later, Barun Chanda documents his experience of working in the film and being directed by Satyajit Ray, someone he describes as ‘the man who knew too much’. But Satyajit Ray: The Man Who Knew Too Much is more than just an account of the making of a film.The author also presents a detailed and informative study of the various avatars of Ray as a film-maker: his sense of script and ear for dialogue, his instinctive grasp of the nuances of music, his penchant for casting non-actors and ability to get the perfect face for a role, his genius in designing a film’s title sequence. Insightful and informed by a rare understanding of the master’s works, this is an invaluable addition to the corpus of work on Satyajit Ray.
Bengali Offbeat Cinema: After Satyajit Ray
This book talks of the Bengali Offbeat genre specially after the demise of Satyajit Ray. This book argues with ample data that on the contrary, the genre swelled further in the last 28 years with over 400 offbeat movies, made by younger generations charted new paths.
The Cinema of Satyajit Ray
Satyajit Ray is India's greatest filmmaker and his importance in the international world of cinema has long been recognised. Darius Cooper's study of Ray is the first to examine his rich and varied work from a social and historical perspective, and to situate it within Indian aesthetics. Providing analyses of selected films, including those that comprise The Apu Trilogy, Chess Players, and Jalsaghhar, among others, Cooper outlines Western influences on Ray's work, such as the plight of women functioning within a patriarchal society, Ray's political vision of the 'doubly colonised', and his attack and critique of the Bengali/Indian middle class of today. The most comprehensive treatment of Ray's work, The Cinema of Satyajit Ray makes accessible the oeuvre of one of the most prolific and creative filmmakers of the twentieth century.
Satyajit Ray: An Intimate Master
Satyajit Ray: An Intimate Master is an invaluable sourcework for studies in the work of Satyajit Ray and offers fascinating reading at the same time. Specially commissioned articles by experts and some of Ray's closest associates, relations and friends provide insights into the entire range of the creativity of Satyajit Ray, one of the world's greatest filmmakers—as artist and designer, writer, and filmmaker—and the environment that nurtured him. The contributions unravel features never before touched—upon all those subterranean elements that went into the making of his films and his artistic character. They should serve to open up new approaches to and possibilities for fresh readings...
Satyajit Ray on Cinema
Satyajit Ray, one of the greatest auteurs of twentieth century cinema, was a Bengali motion-picture director, writer, and illustrator who set a new standard for Indian cinema with his Apu Trilogy: Pather Panchali (Song of the Little Road) (1955), Aparajito (The Unvanquished) (1956), and Apur Sansar (The World of Apu) (1959). His work was admired for its humanism, versatility, attention to detail, and skilled use of music. He was also widely praised for his critical and intellectual writings, which mirror his filmmaking in their precision and wide-ranging grasp of history, culture, and aesthetics. Spanning forty years of Ray's career, these essays, for the first time collected in one volume, ...
1971
1971 was a great year for cinema. Woody Allen, Robert Altman, Dario Argento, Ingmar Bergman, Stanley Kubrick, Sergio Leone, George Lucas, Sam Peckinpah, Roman Polanski, Nicolas Roeg and Steven Spielberg, among many others, were behind the camera, while the stars were also out in force. Warren Beatty, Marlon Brando, Michael Caine, Julie Christie, Sean Connery, Faye Dunaway, Clint Eastwood, Jane Fonda, Dustin Hoffman, Steve McQueen, Jack Nicholson, Al Pacino and Vanessa Redgrave all featured in films released in 1971. The remarkable artistic flowering that came from the 'New Hollywood' of the '70s was just beginning, while the old guard was fading away and the new guard was taking over. With a decline in box office attendances by the end of the '60s, along with a genuine inability to come up with a reliable barometer of box office success, studio heads gave unprecedented freedom to young filmmakers to lead the way. Featuring interviews with cast and crew members, bestselling author Robert Sellers explores this landmark year in Hollywood and in Britain, when this new age was at its freshest, and where the transfer of power was felt most exhilaratingly.
Zikr
Internationally renowned, Muzaffar Ali has donned many hats in his lifetime. The scion of the princely house of Kotwara, the boy Muzaffar was shaped by the changing post-Partition India. Having studied science at Aligarh University, he started his career in an advertisement agency in Calcutta, worked with the nascent Air India and then ventured on a journey that produced cinematic masterpieces like Umrao Jaan. Along the way, his path collided with many-from Satyajit Ray to Faiz Ahmad Faiz-and he has cultivated many a passion, whether for cars or couture. His autobiography is a peek into this wealth of experience-a close look at Ali, prince, poet, philosopher, film-maker, automobile aficionado and artist. Zikr is also a rich interior portrait of an artist, as Ali takes us behind the scenes of films like Anjuman and Gaman, speaking of the sensibilities that shaped them and the influences on his work. Above all, this is a book that resounds with a deep love for life. Whether you're looking for inspiration, seeking to venture off the beaten track of Bollywood or wishing to bite into a slice of erstwhile Awadhi culture, Zikr has something to offer all.
The Cinema of Satyajit Ray
About the Book AN ESSENTIAL BOOK FOR EVERY CINEPHILE’S LIBRARY Satyajit Ray is the tallest Indian figure in world cinema. Retrospectives across the globe, perhaps even more than at home, have kept his legacy alive. But how do we understand his cinema in the context of a vastly different world? What keeps great cinema from becoming dated? What are the particularities of Ray’s movies that cause them to endure? Bhaskar Chattopadhyay’s literary engagement with Ray’s cinema spans years. In this book, he revisits each one of Satyajit Ray’s thirty-nine feature films, shorts and documentaries to investigate their cinematic and social context. He also speaks to a number of the master’s collaborators as well as other directors and critics to truly understand Ray and his work. Packed with delightful anecdotes and fresh insights, The Cinema of Satyajit Ray is an essential book for every cinephile’s library.
Portrait of a Director
The Definitive Study Of The Life And Work Of India S Greatest Filmmaker Satyajit Ray Was India S First Filmmaker To Gain International Recognition As A Master Of The Medium, And Today He Continues To Be Regarded As One Of The World S Finest Directors Of All Time. His First Film Pather Panchali, Made When He Was In His Thirties, Catapulted Him Into The Forefront Of Young Directors Worldwide When In 1956 The Cannes Film Festival Honoured It As The Best Human Document Of The Year. Several Other Films By Ray, Like Aparajito, Jalsaghar, Charulata, Nayak, Aranyer Din Ratri, Shatranj Ke Khilari, Ghare Baire And Agantuk, Made Over A Career Spanning Five Decades, Are Considered Classics Of Contempora...
Films of Buddhadeb Dasgupta
Buddhadeb Dasgupta has established himself as one of India s finest filmmakers and won international acclaim for his thirteen feature films characterised by technical excellence and artistic beauty and noted for their extraordinary originality in both style and substance. In this book, every one of the feature films are discussed in detail the films about the vulnerability of dedication, the struggle against poverty, the integrity of the modern day artist, notions of sanity and insanity and falling out of history, the transcending of human society and its various constraints on creativity, and the triumph of beauty over the ugliness of violence. There is a concluding chapter on the relationship between his poetry and his cinema.
