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A play in 5 acts.
The personality of the highly charismatic foremost African Nationalist, Kwame Nkrumah as featured once in a while in Ghanaian fiction. For example, the celebrated Ghanaian novelist, Ayi Kwei Armah draws attention to the corrupt nature of the Nkrumah regime in his famous novel, The Beautiful Ones Are Not Yet Born. But this is by far the very first time that Kwame Nkrumah and his era have been made the main subject of a full-length novel.
There is a growing body of literature on what was originally envisioned as a free political association of the French and British Cameroons and its dramatic effects on the 'British Cameroons' community. Anyangwe's new book is an attempt to write the history of the Southern Cameroons from a legal perspective. This authoritative work describes in great detail the story of La Republique du Cameroun's alleged annexation and colonization of the Southern Cameroons following the achievement of its independence, while highlighting the seeming complicity of the United Nations and the British Trusteeship Authority. In the process, Anyangwe unravels a number of myths created by the main actors to justify this injustice and, in the end, makes useful suggestions to reverse the situation and to restore statehood to the Southern Cameroons. The book is rich in archival research and informed by a global perspective. It convincingly shows the uniqueness of the Southern Cameroons case.
This book, slim as it looks, took Bernard Nsokika Fonlon the best part of five laborious years to write 1965-9 inclusive. He writes: "I was penning away as students in France were up in arms against the academic Establishment, and their fury almost toppled a powerful, prestigious, political giant like General de Gaulle. In America students, arms in hand, besieged and stormed the buildings of the University Administration, others blew up lecture halls in Canada - the student revolt, a very saeva indignatio, was in paroxysm. But in England (save in the London School of Economics where students rioted for the lame reason that the College gate looked like that of a jail-house) all was calm..." F...
Child of Earth is the story of Achu, a young African boy who loses his mother when he is still a baby. He is raised by his father in a household teeming with wives and children. Then the father dies And The task of raising Achu devolves on his aunt, his father's sister, who is married to one of the richest and most powerful men in the country. But the aunt is jealous because Achu is doing better in school than her own children . . .
To the Budding Creative Writer: A Handbook is designed to help young writers come to grips with questions and problems relative to their creative efforts. The authors discuss a range of topics, providing guidelines on such issues as style, technique, point of view, characterization, poetic diction, figurative language, denotation and connotation, etc. They equally offer useful critical comments on some of the works of accomplished African writers whom they cite as models for beginning writers, fusing literary creativity with literary criticism. All along the co-authors stress the centrality, in imaginative writing, of both the 'what' and the 'how' or matter and manner, and how to combine both to good effect.
Perspectives on Translation and Interpretation in Cameroon is the first volume of a book series of the Advanced School of Translators and Interpreters (ASTI) of the University of Buea. It opens a window into the wide dynamic and interesting area of translation and interpretation in a multilingual Cameroon that had on the eve of independence and unification opted for official bilingualism in French and English. The book comprises contributions from scholars of translation in the broad area of translation, comprising: the concept of translation and its pedagogy, the history of translation and, the state of the art of translation as a discipline, profession and practice. The book also focuses on acquisition of translation competences through training, and chronicles the history of translation in Cameroon through the contributions of both Cameroonian and European actors from the German through the French and English colonial periods to the postcolonial present in their minutia. Rich, original and comprehensive, the book is a timely and invaluable contribution to the growing community of translators and interpreters in Africa and globally.
"The Title poem relates to most important poetry of all ages: It reveals how, in the search for right images, metaphors and most apposite expressions, we often find ourselves listening to the voice that ̀bids us return to our own sources.' Since the poet has discovered the right idioms, he has, throughout the poem, undergone the process of depersonalization, has indeed obtained objectivity: Little of himself is felt in the poem. He obtains this effect by the use of the appropriate voice--That of the priest at the ceremony." Professor Siga Asanga, ABBIA, Cameroon Cultural Review.
Forest Echoes is a literary quilt revealing a mature poet bestriding generations as he patches together a people's culture, their philosophy, history, along with their attendant woes into a subtle, sometimes disillusioning even, yet purposeful and poignant whole. Nol Alembong is not afraid to be himself in this work: a scholar, teacher, parent, traditionalist and, above all, an Anglophone-Cameroonian. Whatever the case, these are magisterial and equally influential individual traits that have merged into a united whole in forging this poet's identity and concerns as evident from the thematic panorama of the poems. In "Forest Echoes", the title poem, for example, one encounters a poet who, though steeped in his people's struggles, has been able to stand back, watch and evaluate the effects of the interactions of time, events, and society. It is this ability of his, as an involved yet detached observer, along with the trend of events that have scarred his people's lives, which have yielded the powerful emotions that he has assembled in this thematically lush, historically nostalgic, and overwhelmingly evocative collection." - Dr. Emmanuel Fru Doh
This book investigates gender and power relations in the Cameroonian parliament using a critical discourse analytical approach, which focuses on social issues and seeks to expose unequal relations within institutions. The study identifies different gendered discourses within the speeches of Members of Parliament and government ministers. Consciously or unconsciously, these participants within parliamentary debates draw on topics that construct women and men in specific ways, sometimes sustaining gender stereotypes or challenging existing conditions. The way men and women are constructed using language also is indicative of gender and power relations within this particular community. The study also looks at the way men and women are constructed using traditional discourses of gender differentiation and how some of these discourses get challenged, appropriated or subverted using progressive gendered discourses that advocate equal opportunities, gender equality and gender partnership in development.