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Scaring Us to Death
In this revised and expanded edition of "The Stephen King Phenomenon," Dr. Michael R. Collings re-examines the impact of Stephen King on popular culture.
Tatort Germany
New essays by leading scholars examining today's vibrant and innovative German crime fiction, along with its historical background. Although George Bernard Shaw quipped that "the Germans lack talent for two things: revolution and crime novels," there is a long tradition of German crime fiction; it simply hasn't aligned itself with international trends. Duringthe 1920s, German-language writers dispensed with the detective and focused instead on criminals, a trend that did not take hold in other countries until after 1945, by which time Germany had gone on to produce antidetective novels that were similarly ahead of their time. German crime fiction has thus always been a curious case; rather t...
Grusel, Grüfte, Groschenhefte (Neuausgabe)
Der deutsche Grusel-Heftroman wird 50 Jahre alt! Überarbeitete und erweiterte Neuausgabe des Sachbuchs zum Jubiläum 2018! 50 Jahre Grusel-Heftromane in Deutschland: Das heißt auch 50 Jahre Serienfigur Larry Brent, 40 Jahre Serie GEISTERJÄGER JOHN SINCLAIR, 45 Jahre Serienfigur John Sinclair ... es gibt im Jahr 2018 genügend Gründe, dem ursprünglichen GGG-Sachbuch eine umfangreiche Neuauflage zu gönnen. Der Blick auf die einzigartige deutsche Heftromanlandschaft, die seit 1968 hat viele "schaurige" Heftserien kommen und gehen sehen, wurde in der Neuausgabe noch umfangreicher. Gleichgültig, ob es sich nun um "KULT-Serien" oder "grottenschlechte" Romane handelt ... und auch der bisher ...
The Empire Strikes Out
German science fiction offers a most interesting contribution to the history and criticism of science fiction. William B. Fischer examines two writers, Kurd Lasswitz and Hans Dominik. He concludes that German science fiction is in distinct contrast to the "normative" tradition of modern Anglo-American science fiction and to many other literary traditions as well. His book demonstrates vividly the social relevance and enduring cultural vitality of science fiction.
Monographic Series
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For Europe
Definitive account of French volunteers in the Waffen-SS Blow-by-blow retelling of battles on the Eastern Front, including the fight for Berlin Focuses on all French SS units, especially the 33rd SS Grenadier Division "Charlemagne" Impeccably researched, this book tells the story of the Frenchmen who, motivated by their hatred of Communism, chose to fight for the Third Reich in World War II, first in the regular army and then as part of the Waffen-SS. These unique soldiers participated in bitter combat, primarily against the Soviets, and returned home to an awkward peace.
World Wrecker
Known as the "World Wrecker" for his galaxy-smashing space operas, Edmond Hamilton wrote intelligent, exciting, and readable science fiction for over 40 years. This first major bibliography of his work covers his enormous output and numerous reprint editions. All students of Hamilton--and all major libraries--will want a copy of this bibliographical labor of love.
The Origins of War
Stretching across continents and centuries, The Origins of War: Violence in Prehistory provides a fascinating examination of executions, torture, ritual sacrifices, and other acts of violence committed in the prehistoric world. Written as an accessible guide to the nature of life in prehistory and to the underpinnings of human violence. Combines symbolic interpretations of archaeological remains with a medical understanding of violent acts. Written by an eminent prehistorian and a respected medical doctor.
Readings in the Anthropocene
Readings in the Anthropocene brings together scholars from German Studies and beyond to interpret the German tradition of the last two hundred years from a perspective that is mindful of the challenge posed by the concept of the Anthropocene. This new age of man, unofficially pronounced in 2000, holds that humans are becoming a geological force in shaping the Earth's future. Among the biggest challenges facing our future are climate change, accelerated species loss, and a radical transformation of land use. What are the historical, philosophical, cultural, literary, and artistic responses to this new concept? The essays in this volume bring German culture to bear on what it means to live in the Anthropocene from a historical, ethical, and aesthetic perspective.
