Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Powers That Be
A Pulitzer Prize winner’s in-depth look at four media-business giants: CBS-TV, Time magazine, the Washington Post, and the Los Angeles Times. In this fascinating New York Times bestseller, the author of The Best and the Brightest, The Fifties, and other acclaimed histories turns his investigative eye to the rise of the American media in the twentieth century. Focusing on the successes and failures of CBS Television, Time magazine, the Washington Post, and the Los Angeles Times, David Halberstam paints a portrait of the era when large, powerful mainstream media sources emerged as a force, showing how they shifted from simply reporting the news to becoming a part of it. By examining landmark...
A Memoir of Creativity
A Memoir of Creativity chronicles one woman's life journey as she derives a theory, revealing meaning in abstract painting, from varied personal and professional experiences, and tells how she locates this theory within a broader social context. In 1966, Piri Halasz became the first woman within living memory to write a cover story for Time (and not just any cover story, either: the notorious one on "Swinging London"). With wit and wisdom, she provides a glimpse into her "red-diaper" childhood, as well as reporting on her climb at Time from research to the writing staff. Vividly, she describes her controversial career as a female journalist during the sixties, offering an inside view of news...
Hearings
None
Hearings
None
From Margin to Center
This is the first book-length study of installation art. JulieReiss concentrates on some of the central figures in its emergence,including artists, critics, and curators.
Nobody yet Knows Who I Am
Nobody Yet Knows Who I Am: A Personal History: 1943 - 1953 is the second volume in Robert Ayres Carters memoir. The first volume, Sundays Child, was published in 2005 by Xlibris. This volume opens with the authors military service as an enlisted man in the United States Army in World War II, highlighted by a tour of duty in the China- Burma Theater. Returning to the States in 1946, Mr. Carters story then resumes with his career as a book salesman, a student in New York City, a Fulbright Scholar at the Sorbonne in Paris, and as an Instructor of French at Stephens College in Columbia, Missouri. The book closes in 1953, with Mr. Carter once again back in New York City, this time determined on a career as a professional writer.
The American Film Institute and the Cultural Politics of Experimental and Independent Cinema
This book examines the role that the American Film Institute (AFI) had in supporting experimental and independent cinema at a key moment of change in the history of American film. Weaving a rich historical narrative, Ramirez argues that the Cold War struggle for cultural supremacy motivated the creation of the federally-funded AFI. Exploring the intersection of business interests and political objectives, Ramirez demonstrates how the AFI’s approach to experimental and independent cinema was marked by an interest in promoting innovative aesthetics and protecting the creative freedom of filmmakers but lacked the attention to distribution and exhibition that would strengthen the viability of experimental and independent filmmaking as professional practices. Scholars of film, history, and American studies will find this work particularly useful.
Art, Politics and Dissent
Art, Politics and Dissent provides a counter history to conventional accounts of American art. Close historical examinations of particular events in Los Angeles and New York in the 1960s are interwoven with discussion of the location of these events, normally marginalized or overlooked, in the history of cultural politics in the United States during the postwar period.
Psycho, The Birds and Halloween
Horror films come in a wide variety of styles and subject matter. Three of the most intimate explorations of terror are examined in this study. Intimate in terms of settings (small towns and an isolated motel) and in the emotional links between the characters and the terrors they face. In Psycho, Norman Bates is a darker reflection of his victim Marion Crane and her lover Sam Loomis. They share frustrations, fears and compulsions, albeit at different levels of intensity. In The Birds, Melanie Daniels and her new acquaintances in Bodega Bay share emotional problems which can impel them to act in destructive ways that are echoed, and then overwhelmed by violence from the natural world. Halloween features a monster, Michael Myers, who has more in common with one of his victims, heroine Laurie Strode, than is evident at first glance. Beyond the link between normality and the violently aberrant, all three films give glimpses of emotional intimacy that is threatened and sometimes tragically destroyed by horror.
Lists
From the weekly shopping list to the Ten Commandments, our lives are shaped by lists. Whether dashed off as a quick reminder, or carefully constructed as an inventory, this humble form of documentation provides insight into its maker's personal habits and decision-making processes. This is especially true for artists, whose day-to-day acts of living and art-making overlap and inform each other. Artists' lists shed uncover a host of unbeknownst motivations, attitudes, and opinions about their work and the work of others. Lists presents almost seventy artifacts, including "to do" lists, membership lists, lists of paintings sold, lists of books to read, lists of appointments made and met, lists...
