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Stagestruck
Stagestruck traces the making of a vibrant French theater industry between the reign of Louis XIV and the French Revolution. During this era more than eighty provincial and colonial cities celebrated the inauguration of their first public playhouses. These theaters emerged as the most prominent urban cultural institutions in prerevolutionary France, becoming key sites for the articulation and contestation of social, political, and racial relationships. Combining rich description with nuanced analysis based on extensive archival evidence, Lauren R. Clay illuminates the wide-ranging consequences of theater’s spectacular growth for performers, spectators, and authorities in cities throughout ...
SAM for Sevin/Sevin/Brockman's Wie Geht's?, 10th
This essential study tool gives you the practice you need to develop your listening, speaking, and writing skills. Each chapter brings together different materials to be used with the Student Activity Manual Audio, supplementary questions and activities to accompany the new video, and additional practice exercises that can be completed outside of class. Periodically, these chapters are followed by review sections that sum up grammar points and vocabulary that will help you prepare for quizzes and tests. The student activity manual also includes a complete summary of German pronunciation and an answer key for the review sections (Rückblicke).
Threshold Concepts in Women’s and Gender Studies
"What ways of seeing, thinking, and knowing: threshold concepts in women's and gender studies does is not "cover" material but rather "uncover" the key threshold concepts and ways of thinking that students need in order to develop a deep understanding and to approach material like feminist scholars do, across disciplines. This book illustrates four of the most critical threshold concepts in women's and gender studies: the social construction of gender; privilege and oppression; intersectionality; and feminist praxis, and grounds these concepts in multiple illustrations. This book is for introduction to women's and gender studies courses."--
Arnold Schoenberg's A Survivor from Warsaw in Postwar Europe
Joy H. Calico examines the cultural history of postwar Europe through the lens of the performance and reception of Arnold Schoenberg's A Survivor from WarsawÑa short but powerful work, she argues, capable of irritating every exposed nerve in postwar Europe. Schoenberg, a Jewish composer whose oeuvre had been one of the NazisÕ prime exemplars of entartete (degenerate) music, immigrated to the United States and became an American citizen. Both admired and reviled as a pioneer of dodecaphony, he wrote this twelve-tone piece about the Holocaust in three languages for an American audience.ÊThis book investigates the meanings attached to the work as it circulated through Europe during the early Cold War in a kind of symbolic musical remigration, focusing on six case studies: West Germany, Austria, Norway, East Germany, Poland, and Czechoslovakia. Each case is unique, informed by individual geopolitical concerns, but this analysis also reveals common themes in anxieties about musical modernism, Holocaust memory and culpability, the coexistence of Jews and former Nazis, anti-Semitism, dislocation, and the presence of occupying forces on both sides of the Cold War divide.
Brecht at the Opera
From an award-winning author, the first thorough examination of the important influence of opera on Brecht's writings.Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstück in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis. From an award-winning author, the first thorough examination of the important influence of opera on Brecht's writings.Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brech
The Pursuer
The War may be over, but secrets linger. While World War II has been over for two years, its horrors linger within society, and chance encounters expose the still-festering wounds. Like most Americans, Beatrix Patterson and her husband Thomas Ling are trying to accept the past in order to focus on the future and a family. Despite her desire for a quiet life, Beatrix must become a pursuer of truth once again when asked to expose suspected war criminals who may have killed thousands, a diabolical scheme to rob Indigenous Americans of their relics, and a person practicing voodoo as a means to murder a respected member of the Santa Barbara religious community. Who can she trust to speak the truth when everyone involved seems to be hiding something that could ruin their lives? Each book in the Beatrix Patterson Mysteries is written as a stand-alone. Readers do not need to read every book in the series to follow along. Order of Books in the Beatrix Patterson Mysteries: 1. The Seer 2. The Finder 3. The Pursuer
Hermann Broch and Mass Hysteria
The first English-language monograph on Hermann Broch's literary and theoretical work on mass hysteria.
Wie geht's?, Student Text
Focused on building linguistic skills and comprehension through creative introductions to contemporary life and cultures in German-speaking countries, WIE GEHT'S? Tenth Edition exposes students to the German language, while encouraging cultural awareness and the acquisition of a functional vocabulary that effectively prepares them to continue their study of German. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Fifty Years after Faulkner
Contributions by Ted Atkinson, Michael P. Bibler, Deborah Clarke, David A. Davis, David M. Earle, Jason D. Fichtel, Elizabeth Fielder, Joseph Fruscione, Matthew Pratt Guterl, Patrick E. Horn, Cheryl Lester, Jessica Martell, Sharon Monteith, Richard C. Moreland, Alan Nadel, Julie Beth Napolin, François Pitavy, Ramón Saldívar, Hortense J. Spillers, Terrell L. Tebbetts, Zackary Vernon, Randall Wilhelm, and Charles Reagan Wilson These essays examine issues across the wide arc of Faulkner's extraordinary career, from his aesthetic apprenticeship in the visual arts, to late-career engagements with the Cold War, the civil rights movement, and beyond, to the place of death in his artistic vision ...
The Arts of the Prima Donna in the Long Nineteenth Century
Female characters assumed increasing prominence in the narrative of 19th and early 20th century opera. This book shines a light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled doomed women onstage before an audience.
