You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This is the memoir of a remarkable woman, Begum Khurshid Mirza, the daughter of Sheikh Abdullah and Waheed Jahan Begum, the founders of Aligarh Women's College. An intimate portrait of an upper class Muslim family in India and Pakistan from the early part of the twentieth century until the recent past, this narrative is much more than an account of Khurshid Mirza s personal life. It spans the years from 1857 to 1983 and provides an insight into the social conditions of Indian Muslims, the state of Muslim women s education, and the transition to Pakistan, while illuminating Khurshid Mirza s rich and varied life as an actor, activist, radio and TV artist, a writer, a devoted daughter, wife and mother.
Presents An Autobiography Of Begum Khurshid Mirza. Provides An Insight Into The Social Conditions Of Muslims Indians And The Transition Of Pakistan. Divided Into 15 Chapters.
Examines the role of progressive Muslim intellectuals in the Pakistan movement through the lens of censorship.
The authors in this volume explore Indo-Muslim cultures developing in South Asia from the sixteenth through twentieth centuries, sharing central themes but showing significant contextual variations by time and place. They focus a much-needed analytical gaze on the rich layers of circulation and exchange of art, architecture, and literature within South Asia and testify to the interaction of Muslims and Islamic traditions with other people and traditions in India for centuries.
Muslim South Asia is widely characterized as a culture that idealizes female anonymity: women's bodies are veiled and their voices silenced. Challenging these perceptions, Siobhan Lambert-Hurley highlights an elusive strand of autobiographical writing dating back several centuries that offers a new lens through which to study notions of selfhood. In Elusive Lives, she locates the voices of Muslim women who rejected taboos against women speaking out, by telling their life stories in written autobiography. To chart patterns across time and space, materials dated from the sixteenth century to the present are drawn from across South Asia – including present-day India, Pakistan and Bangladesh. ...
None
Wanted Cultured Ladies Only! maps out the early culture of cinema stardom in India from its emergence in the silent era to the decade after Indian independence in the mid-twentieth century. Neepa Majumdar combines readings of specific films and stars with an analysis of the historical and cultural configurations that gave rise to distinctly Indian notions of celebrity. She argues that discussions of early cinematic stardom in India must be placed in the context of the general legitimizing discourse of colonial "improvement" that marked other civic and cultural spheres as well, and that "vernacular modernist" anxieties over the New Woman had limited resonance here. Rather, it was through emphatically nationalist discourses that Indian cinema found its model for modern female identities. Considering questions of spectatorship, gossip, popularity, and the dominance of a star-based production system, Majumdar details the rise of film stars such as Sulochana, Fearless Nadia, Lata Mangeshkar, and Nargis.
The laws and legislation in Pakistan related to religious offences are intended to protect all religious communities, but have also become a significant threat to communities of religious minorities who are vulnerable to false accusation, violent retribution outside of the judicial system, and erroneous convictions that sometimes even lead to the death penalty. What is not well known is how these laws came about; from originally being designed in Chapter XV of the Pakistan Penal Code, to safeguard all religions of British India. Dr F. A. Nazir places the discussion of offences relating to religion in the historical context of the south Asian subcontinent, the institution of penal codes in Br...
Acknowledgement ix Foreword xi Preface xv Chapter 1: Introduction 1 Chapter 2: Narrating the Self in Women Writings 42 Chapter 3: Kamala Das: Autobiographical Vs Fiction 70 Chapter 4: Preeti Shenoy: A Contemporary Voice 105 Chapter 5: Foregrounding Relationships: A complete eclipse of heart by Kamala Das and Preeti Shenoy 145 Chapter 6: Kamala Das and Preeti Shenoy: A Comparison of their Writings 182 Chapter 7: Conclusion 215 Excerpts from Interview of Preeti Shenoy by Manisha Dagar 233 Refrences & Bibliography 235
None