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Belinda McKeon’s Solace is an extraordinarily accomplished first novel—a story of a father and son thrown together by tragedy; one clinging to the old country and one plunging into the new. Set in an Ireland that catapulted into wealth at the end of the twentieth century and then suffered a swift economic decline, this is a novel about the conflicting values of the old and young generations and the stubborn, heartbreaking habits that mute the language of love. Tom and Mark Casey are a father and son on a collision course, two men who have always struggled to be at ease with each other. Tom is a farmer in the Irish midlands, the descendant of men who have farmed the same land for generati...
Catherine and James are as close as two friends could ever be. They meet in Dublin in the late 1990s, she a college student, he a fledgling artist - both recent arrivals from rural communities, coming of age in a city which is teeming - or so they are told - with new freedoms, new possibilities. Catherine has never met anyone quite like James. Talented, quick-witted, adventurous and charismatic, he helps Catherine to open her eyes, to take on life with more gusto than she has ever before known how to do. But while Catherine's horizons are expanding, James's own life is becoming a prison: as changed as the new Ireland may be, it is still not a place in which he feels able to be himself. Cathe...
A brilliant collection of short stories on the theme of distance from some of the world's leading literary fiction writers
Fintan O’Toole was born in the year the revolution began. It was 1958, and the Irish government—in despair, because all the young people were leaving—opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don’t Know Ourselves, O’Toole, one of the Anglophone world’s most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary “backwater” to an almost totally open society—perhaps the most astonishing national transformation in modern history. Born to a working-class family in the...
The linked stories in Cara Blue Adams’s precise and observant collection offer elegantly constructed glimpses of the life of Kate, a young woman from rural New England, moving between her childhood in the countryside of Vermont and her twenties and thirties in the northeast, southwest, and South in pursuit of a vocation, first as a research scientist and later as a writer. Place is a palpable presence: Boston in winter, Maine in summer, Virginia’s lush hillsides, the open New Mexico sky. Along the way, we meet Kate’s difficult bohemian mother and younger sister, her privileged college roommate, and the various men Kate dates as she struggles to define what she wants from the world on her own terms. Wryly funny and shot through with surprising flashes of anger, these smart, dreamy, searching stories show us a young woman grappling with social class, gender, ambition, violence, and the distance between longing and having.
Dubliners 100 invites new and established Irish writers to create 'cover versions' of their favourite stories from James Joyce's Dubliners.
Restored to life - to a miraculous second chance at life - Sean experiences the numbed, haunted sensation of not knowing who he is. He realises that until he searches out and unlocks the past, he will be a stranger to his wife, his children, and to himself.
Molly and Beth are best friends and love spending time together. But when their two families move in together, maybe they are a little too close for comfort! Out shopping one day they need to avoid the most embarrassing encounter ever with Molly's mum, and hide in a shop they had never noticed before. When they leave by the side door, they realise immediately that something is not right! Transported back to the past, where mobile phones don't work and the world feels very different, they realise that they have a chance to see the world through their parents' eyes. Before finding their way home, can they see what their own pasts looked like?
‘A wonderful novel. I was deeply moved. Outstanding.’ John Boyne Mark Casey did not expect to fall in love. But from the minute he saw Joanne Lynch across the garden of a Dublin pub, it seemed that nothing else was possible. But Mark is also drawn back – guiltily – to his family and the land they have farmed for generations, and when he discovers the truth behind a family feud, it threatens to destroy this passionate love affair. ‘A novel of quiet power, filled with moments of carefully-told truth’ Colm Tóibín ‘Elegant, consuming and richly inspired. Superb.’ Colum McCann ‘Powerful and beautifully paced . . . I was totally gripped.’ Catherine O’Flynn
Featuring brand new short stories from Kevin Barry, Eimear McBride, Belinda McKeon, Lisa McInerney, Danielle McLaughlin, Stuart Neville, Sally Rooney, Kit de Waal and many more.Ireland is going through a golden age of writing: that has never been more apparent. I wanted to capture something of the energy of this explosion, in all its variousness... Following her own acclaimed short-story collection, Multitudes, Lucy Caldwell guest-edits the sixth volume of Faber's long-running series of all new Irish short stories, continuing the work of the late David Marcus and subsequent guest editors, Joseph O'Connor, Kevin Barry and Deirdre Madden.