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Based on case studies from the US, UK and Australia, this book looks at the ways in which female killers are constructed in the media, in law and in feminist discourse almost invariably as victims rather than actors in the crimes they commit.
The essays in Killing Women: The Visual Culture of Gender and Violence find important connections in the ways that women are portrayed in relation to violence, whether they are murder victims or killers. The book’s extensive cultural contexts acknowledge and engage with contemporary theories and practices of identity politics and debates about the ethics and politics of representation itself. Does representation produce or reproduce the conditions of violence? Is representation itself a form of violence? This book adds significant new dimensions to the characterization of gender and violence by discussing nationalism and war, feminist media, and the depiction of violence throughout society.
Karla Homolka has proven to be a figure of enduring interest to the public and media for the last 20 years. However, despite the widespread Canadian and international public commentary and media frenzy that has encircled this case, Homolka herself remains an enigma to most who write about her. In contrast to much of the contemporary discussion on this case, this book offers a comprehensive and detailed examination of the legal, public and media understandings and explanations of Homolka’s criminality. Drawing from multiple fields of study and varied bodies of critical literature, the book uses Homolka as an object lesson to interrogate some of the narratives and conceptualizations of ‘vi...
Grounded in feminist scholarship, this book upends normative accounts of femme fatale violence to focus beyond the misogyny and the sensationalism and unearth the motivation behind women's roles in homicide, terrorism, combat, and even nationalist movements.
Addressing cultural representations of women's participation in the political violence and terrorism of the Italian anni di piombo ('years of lead', c. 1969-83), this book conceptualizes Italy's experience of political violence during those years as a form of cultural and collective trauma.
This collection of essays examines the structures of power and the ways in which power is exercised and felt in the fantasy world of Game of Thrones. It considers how the expectations of viewers, particularly within the genre of epic fantasy, are subverted across the full 8 seasons of the series. The assembled team of international scholars, representing a variety of disciplines, addresses such topics as the power of speech and magic; the role of nationality and politics; disability, race and gender; and the ways in which each reinforces or subverts power in Westeros and Essos.
What are fear, horror, and terror? This question, central to our endeavour, cannot be answered by one unified voice. It always cracks, falters, and fades before it can fully enunciate its proclamation. We, the authors, know this and have planned accordingly. This volume presents meditations on this issue springing from the four corners of intellectual inquiry. Each author provides a distinctive approach with which to address the issue at hand. Literary theory, psychoanalysis, media studies, political science, and many more disciplines occupy the same space between the covers of this book. We hope that through the cacophony of our diversity we will fill in the inevitable gaps when our voices fall short.
Working with Affect in Feminist Readings: Disturbing Differences explores the place and function of affect in feminist knowledge production, investigating what it means to work with and through affect, as well as the kinds of ethical and methodological challenges that this involves.
The key reference guide to rural crime and rural justice, this encyclopedia gives 70 concise and informative synopses of the key issues in rural crime, criminology, offending and victimisation, and both institutional and informal responses to rural crime.
This book explores secrecy and silence in research, situating the discussion within wider debates about gender, epistemology, methodology and ethics and drawing on the reflections of feminist scholars.